A Biblioasis Interview with Elaine Dewar

Elaine Dewar’s On the Origin of the Deadliest Pandemic in 100 Years is not what readers have come to expect from Biblioasis. But it seems to us one of the most important works we’ve been part of at the press. As Phil Marchand pointed out with her last book, Dewar “is justly well-known for her relentless research and we’re fortunate to have her,” and this relentless research is on full display with On the Origin.

What she uncovers is a scientific world of little oversight, questionable motives, greed, deception, and political malfeasance, one open to manipulation and sabotage by outside forces, all of it with deep implications for how we move forward, not just with the COVID-19 pandemic itself but with the systems and structures that allowed for it, and which, if they are not reformed, may result in the same thing happening again. Dewar has uncovered facts about this case and made connections that have not yet been made public, in either our national newspapers or parliamentary debates. Its implications are explosive. She has provided language for what we are all experiencing, and in total this book should be read as a wake-up call to all of us, to demand more accountability and transparency from all, but especially those in positions of power.

Q1: Your new book On the Origin of the Deadliest Pandemic in 100 Years tackles one of the most troubling and controversial subjects of our age. To start, can you tell us a little bit about the book’s origin?

A1: I started clipping bits and pieces about the pandemic in January of 2020 because the coverage I was reading so reminded me of SARS, up to and including the false assurances from Canadian authorities that Canadians had nothing to fear, that the risk to Canadians was “low.” I was struck by how in those early stories the numbers kept doubling; the sure mark of easy person-to-person transmission of an infectious disease, and clearly a bad disease because the Wuhan hospitals were apparently very crowded. And China’s authorities were playing that down. By the end of January, Canada already had its first cases, yet the federal government kept saying nothing to worry about, we have no direct flights to Wuhan, as if that meant anything. It was obvious there was a great deal to worry about. China had locked down a city of 11 million and was frantically erecting enormous field hospitals. They clearly expected an unprecedented disaster. By then I had already started reading whatever I could find on the pandemic and noticed a story about two researchers in Wuhan who published what is called a preprint claiming that the virus might have leaked from one of two labs in Wuhan that study coronaviruses sampled from bats in the field, and that the researchers don’t take proper precautions. At about that time, someone asked the Minister of Health at a press conference about the possibility that the virus had leaked from a lab in China. She snapped the reporter’s head off and accused him of asking a racist question. By then I had been following the story of the collapse of Canada’s relations with China for some time, and the two stories sort of snapped together in my head. By the time Dan Wells got in touch in May and asked me to do a quick book for a new series he was launching, suggesting something on pandemic profiteers, I was already hooked on the origin story. Where did it come from? Lab or nature? How could I find out with the borders shut and Canada in lockdown?

Q2: Well, how could you find out? And what did you find? How did the research and writing of this book differ from those which preceded it?

A2: How to find out was the big problem. I don’t work for a newspaper: I could not argue that I needed to cross borders to do interviews. And I couldn’t get to people anyway because labs were closed, government offices were shut down with most bureaucrats working from home. So I was reminded of I.F. Stone, the great American journalist who published a weekly out of Washington D.C. He found his most explosive stories by reading published documents and making Freedom of Information applications for documents that were not public. I thought given this was a story about the science of virology, I should start by reading the publications in peer-reviewed journals about the origin of a virus that clearly seemed to have adapted immediately to human beings. And so that’s what I did. And what I found in peer-reviewed journals and in papers published by the scientists at the heart of the story led me into the story of a science that has gone global since SARS with very few regulations and a whole lot of pandemic potential danger attached to it. The more I read, the more the lab leak thesis seemed possible, not the deranged maunderings of racists and tinfoil-hatted conspiracy theorists as they were by then being described by scientists who were organizing all kinds of publications to knock that theory down. At which point the story expanded from reading the science to following the undeclared interests…

Q3: Yes, undeclared interests. That could have been the title of the book, and it’s one of the main things, I think, that On the Origin untangles. By the end of it I was wondering how we could trust anyone on anything remotely touching on the pandemic. There are too many to list for this interview, but is there any undeclared interest you would like to highlight here?

A3: I think the undeclared interests I found that upset me most, angered me most, were those connected with an article that appeared in the most highly rated science peer-reviewed journal Nature, which purported to show that the genome of SARS-CoV-2 could not have been the result of laboratory manipulation. There were five authors on that peer reviewed paper. The only one who declared a competing interest was an expert from Tulane University who declared he had interests related to a company he’s involved in. Three others on that paper all had serious interest in staying on the good side of China, who used this paper like a shield for the next year to say “You see, serious scientists say it couldn’t have been made in a lab.” Kristian Andersen, the lead author who is at the Scripps, which was in such financial trouble that it entered a relationship with a Chinese entity to keep it out of trouble, also had an application into the NIAID, a grant he later won. The NIAID had funded work done at one of the labs thought to be a possible source of a lab leak in Wuhan, Shi Zhengli’s lab at the Wuhan Institute of Virology. And that funding was aimed at the kinds of gain-of-function experiments which had caused fear and concern to critics for years. Another author on that paper, Ian W. Lipkin at Columbia, worked out of an institution that had been paid large sums of money from USAID through a charity called EcoHealth Alliance, which funded one of the labs in Wuhan. He had been honoured by China and has an honorary position there. Nothing was said about his competing interest. The third is E.C. Holmes, whose work is mainly done in China though he has a position at the University of Sydney and also at Fudan University in Shanghai. He had helped his Fudan colleague put up the genome sequence of the virus on a blog run out of Edinburgh because China’s officials were holding off its publication. This article was written shortly after both Holmes and Andersen called Anthony Fauci, head of the NIAID, on January 31, 2020, after Science ran a story in which one expert said a lab leak was a possibility. They told Fauci that their investigation of the genome revealed that a small portion of it might have been engineered in a lab. Holmes did not reveal in the Nature paper that he had done a number of papers with the lead bat /coronavirus researcher in Wuhan who works at the other lab suspected of being the source of the leak, the Wuhan CDC. The very next day, Andersen and Holmes were part of an emergency conference call organized by Fauci, Francis Collins of the NIH, Fauci’s boss, and several others in which this possibility was urgently discussed. Undoubtedly the difficult position of these funding agency directors was that they might be accused of funding the creation of SARS by funding one of those labs. Yet two days after that, Andersen was participating in crafting a letter to send to the White House accusing anyone who said a lab leak was a possible origin of the virus of being conspiracy theorists. He wanted to make the letter tougher than the man writing it, Peter Daszak. Daszak was also the author of a statement in Lancet yelling about a lab origin thesis as a conspiracy theory. Daszak did not declare a competing interest on that statement—specifically that his charity, EcoHealth Alliance, had been acting as a cutout for US funders like the National Science Foundation, the NIAID, and USAID, who all had funded Shi Zhengli’s work at the WIV’s lab. And we’re not talking about a little bit of money, we’re talking millions. Daszak went on to become chair of Lancet’s task force on the origin of the virus, again without declaring his interest in avoiding any investigation of a lab leak at the WIV, and also got himself appointed to the WHO-convened study of the origin of the virus. The WHO did not publish the competing interests of those foreign researchers who participated in that study and had them all sign confidentiality agreements so they couldn’t squeal on each other. The study’s phase one pointedly avoided any kind of investigation of the labs in Wuhan without doing any study on that question at all. It took months for various researchers to put these interests together.

Q4: There is a Canadian thread to your book, one which, though not directly connected to the origin of COVID, nevertheless sheds some light on the issue. Can you tell us a little bit about this?

A4: There was a theory in the early days of the pandemic that the virus might have been shipped from the National Microbiology Laboratory to the Wuhan Institute of Virology, the leading coronavirus study group in China. Back in 2019, two researchers had been taken out of the lab, their security clearances revoked: one of them had done papers on both SARS and on ACE2, one of the receptors for SARS-CoV-2 in humans. There was nothing to it: but it got me looking at what had gone on at the lab, about the two suspended researchers who came to Canada in the middle 90s when a whole group of researchers were sent from China to study in western labs, and what I discovered about their connections to China and the Wuhan Institute of Virology shed a lot of light on how biological science has become a globalized operation, and how China has placed its people in very important western institutions and then made use of them. It gave me the framework for the larger story of China’s long term plan to treat biology and biotechnology as a strategic high ground. The NML story took me to a bigger one.

Q5: And what was this bigger story?

A5: The larger story is about China’s long term plan to occupy the strategic high ground with regard to biology, and biotechnology, including apparently both the capacity to wage and defend against bio warfare. In pursuit of that strategy, which dates back to Deng Xiaoping’s time leading China, many very bright young aspiring scientists were sent to the West for their graduate studies. Many of them were high achievers who ended up on leading academic positions as well as in leading pharmaceuticals (like Sanofi in Canada) and also in the main high containment laboratories in the US (like Galveston) and in Canada at the National Microbiology Laboratory (Qiu and Cheng, etc.) Some of these people smuggled out important reagents, hid their connections to China’s military and transferred important data to China.

Q6: As you know, the Trudeau government faced a lot of pressure to release information about why Qiu and Cheng were fired from Winnipeg’s National Microbiology Laboratory, and that they went further than perhaps any government before them by suing the Speaker of the House to keep these documents from parliamentarians. This week, and in the middle of an election, as reported in the Globe and Mail, the government quietly withdrew its lawsuit. What is the significance of this? And why should Canadians care about who Qiu and Cheng are, and why they were fired?

A6: The timing of the election was in part to avoid having to produce the documents as per the June resolution of the House of Commons that the President of PHAC deliver unredacted versions of all emails and documents relating to the firing of Qiu and Cheng. The President, Iain Stewart, had claimed he could not provide unredacted documents due to the Privacy Act. The Canada-China committee brought forward a resolution in the minority Parliament which passed it demanding the unredacted documents. When the House voted in favour of the resolution, and PHAC and the Minister of Health still did not comply, the President was admonished at the bar of Parliament, which has not happened to a non-politician since 1910, the Speaker was about to decide whether to send the Sergeant at Arms to PHAC to get the documents when the House rose for the summer break. The Speaker decided to hold off sending the Sergeant at arms until the House resumed in September, but the government by then had decided to call the election. By going to the Governor General and asking for an election, the House was dissolved, the resolution became moot, and so the government withdrew its suit against the Speaker. It would have lost in the Federal Court. The Supreme Court has already ruled that Parliament is supreme, no court can stop it from getting information it asks for from the government of the day. The government was doing its best to cover up what had been going on at the National Microbiology Laboratory for years, which entailed what seem to be really outrageous breaches of national security, including experiments done by Qiu and Cheng along with a major general in the Peoples Liberation Army. If that woman, Chen Wei, did not have access to the NML labs, and I am pretty sure she did, she certainly had access to its data, which also requires a security clearance, long after Qiu and Cheng were suspended and their clearances retracted. Papers were published in 2020 that make that clear. Instead of being transparent about the mistakes made, over which the Minister of Health should have resigned, along with the Minister of Public Safety, the government chose to call an election to avoid the public knowing the exact nature of its amazing failure of oversight.

On the Origin of the Deadliest Pandemic in 100 Years coverQ7: This book is part of the Field Note pamphlet series, and was signed on as On Blame. But over the course of your research the focus of the book changed and expanded, and blame became a far lesser concern, if only because there was so much to go around. It’s about the origin of this specific pandemic, yes, but it is about much more than this, too, with ramifications for how we move forward. If there were one or two quick takeaways you would like your readers to have on finishing On the Origin of the Deadliest Pandemic in 100 Years, what would it/they be?

A7: The most important takeaway is that this book demonstrates the real danger is from arrogant and reckless globalized biological science which may have let loose the whirlwind. Globalized science is usually presented as a great boon, the best minds wherever they are working together for the good of humankind and the planet. What this book shows is what just about everyone who studies the practice of science knows: scientists are not sweet and selfless souls just following their curiosity. Like the rest of us, they must compete to achieve. For their work to continue and their prestige to grow, they must capture public resources. She who can do that best acquires power, which will in turn be used to defend those interests. In other words, research science is by definition intensely political, and when it is done across national boundaries by scientists from countries that are competitors, the merely political becomes geopolitical. China sees itself as a rising nation held back by the US. The US and Canada rightly see China as a strategic threat. The US in particular has been very careless about who and what it funded in China, apparently so it could keep a close eye on what China might be doing in the way of biological warfare research. But that meant work was done in China with American support that remained outside the regulatory purview of the US and in conditions that are not acceptable in the US. Canada, under intense economic pressure from China, clearly allowed our top containment lab, which used to do wonderful work, to be captured by China’s operatives acting in China’s interests, which do not coincide with our own. All governments and the scientists involved in this story have done what governments and people often do when they’ve screwed up. They covered up. And it’s up to us, the stakeholders as we are called, who have suffered and died from their mistakes, to hold them to account.

Available August 31 in Canada and September 14 in the USA. You can pre-order a copy here.

A Biblioasis Interview with Robyn Sarah

A decade and a lifetime in the making, Robyn Sarah’s Music, Late and Soon will be available to readers August 24, 2021. A memoir of a young woman’s career in music, which she leaves (for a variety of reasons) for writing, and returns to much later in life. An enticing ‘what-if’ story for the many people who abandon music in their youth and contemplate a return, but feel it’s too late. Sarah has spent the past decade with her first love, the piano, and has spent much of this time re-connecting and learning through celebrated teacher Phil Cohen. As a well regarded and award-winning poet, Sarah explores the relationship between the verbal and non-verbal arts, and verbal and non-verbal learning. A memoir of artistic vocation, it will be intriguing to music and poetry readers alike.

Q1: Can you provide a brief introduction to those readers who are not familiar with your work?

A1: Writing has been a constant in my life for as long as I can remember. I had it in my head from the age of six or seven that I was going to be a writer when I grew up, and that remained a lodestar for me through a lot of digressions – notably ten years in music school, when I thought I was headed for a career as an orchestral musician. I graduated from the Quebec Conservatory in the early 70s with a diploma in performance on clarinet, but abandoned music as a career path soon after, and eventually became the writer I always meant to be. Like many of my fellow writers in Montreal, I taught English in Quebec’s junior college system for many years, but since the mid-1990s I’ve worked as a freelance writer and literary editor, most recently serving ten years as poetry editor for Cormorant Books. Poetry is my primary genre. Though I’ve also published essays and stories, I think my poet’s perspective leaves its stamp on everything I write.

Q2: Music, Late and Soon chronicles another decade-long – to use your word – digression, a return to the serious study of music after more than three decades. “I was late for my piano lesson,” your memoir begins. “Thirty-five years late, to be exact.” Can you tell us a bit about why, at such a stage in your life, you returned to music, and perhaps a bit about the genesis of this book?

A2: Who can say with certainty why we do anything we do, and why at a particular moment? Human motivation is so layered. We have conscious motives, we have unconscious motives, we have intentions and impulses. We have game-changing encounters with chance. When we say, “It was just something I had to do at that moment”, we may not even know what tipped the balance. But when we make such a statement, we’re on our way to telling ourselves a story. This book is the story I told myself to explain why, at nearly sixty, I had to take piano lessons again – something I had thought about doing many times before without acting on it.

Robyn Sarah, age 8

– Which leads to your question about the genesis of the book. On this particular occasion, the thought came simultaneously with the idea of writing a book about it. And somehow, it was the book – the untold, unlived story I sensed there – that made it possible for me to do what I hadn’t been able to do before. I felt propelled into simultaneously living the story and writing it. At first I thought it would be a much shorter book – a story about a year of late-life piano lessons, leading to a small recital. I didn’t know it would take me back to my years in music school. I didn’t know it would demand that I finally make some sense of my abandoning a career as a clarinetist just as it was getting off the ground. It was only in the bringing together of both processes – my literary process and a return to serious musical practice on my first instrument – that the living and the writing overflowed those initial parameters.

Q3: You’ve explained how writing about your return to music took you back to your musical past. Can you say a little about where that return has taken you as you’ve moved forward?

A3: Well, it wasn’t very long before I realized this was no caprice. It wasn’t even a “project” – not in the sense of something I could finish and walk away from. I realized I was back at the piano for the long haul. I had dropped any expectations; I was open to wherever it wanted to take me. The second part of the book describes some of the places it initially took me – among them, playing piano in local cafes and a retirement home; playing a small private recital beset with unexpected challenges; attending a three-week summer piano intensive where I was the oldest participant by – you guessed it – thirty-five years. It also brought me new friends, new repertoire, new perspectives, and a sense of ongoing adventure as I entered my sixties.

Q4: Your memoir chronicles more than a return to and relationship with an instrument (or many instruments, several pianos and clarinets both!); it also tells the story of a special relationship with a very special teacher. Can you tell us a little about this?

A4: Philip Cohen’s legacy – very much his own, but at only one remove from celebrated pianist Alfred Cortot, who taught his teacher – lives on in the teaching of his students in Montreal, New York, Chicago, L.A. and overseas, all of whom acknowledge his extraordinary qualities. I began studying with Phil at eleven, stopped at seventeen, and returned briefly in my early twenties. When I came back to him at 59, I never imagined I would end up studying with him again for nearly nine years – the same length of time as I did earlier in life. My adult years as mother, teacher, and writer were book-ended by those two periods of intense musical mentorship. This “late and soon” aspect of our relationship was one thing that made it special. But everyone who studied with Phil Cohen had a special relationship with him, and everyone’s was different. His approach to teaching was based entirely on his appreciation of the individual human being: you felt he understood you better than you understood yourself, that you had his full attention, and that he cared. Not only were his musical insights endlessly inspiring, but regardless of age, background, or personality, he was able to reach people on a soul level.

coverQ5: The initial goal of this project was to return to piano for a year, to ready yourself for the possibility of performance, and to write a short book about the experience. Both book and the experience it chronicles became much more than this, and I think Music, Late and Soon is, among other things, one of the best books on artistic dedication and vocation I’ve read. Can you highlight a few of the things you learned along the way?

A5: When I first approached my teacher with the project of spending a year working to prepare a modest recital program, his response was, “Why would you not just start working again and see where it leads? Playing the piano is like any art form, any creative process – it doesn’t work by deadline.” I think the primary thing I learned as we worked together anew was to respect creative process – to trust it and to recognize the patience it requires. Not just at the piano, and not just in my writing, but in living life. The book became as much a meditation on creative process as it is a personal story. Many of the things I learned were actually things I had learned before but found myself relearning on a deeper level. This itself was one of them: that serious learning is a process of coming back again and again to deepen acquaintance with something we think we know.

You can order a copy of Music, Late and Soon here.

Rave Reviews for Biblioasis Titles!

IN THE NEWS!

THINGS ARE AGAINST US

Things Are Against UsLucy Ellmann’s Things Are Against Us (September 24, 2021) received another rave review in The Guardian! The previous one was in the Sunday Observer. This Guardian review was published online and in their print issue on July 3, 2021. You can read it on their website here.

Reviewer Catherine Taylor wrote:

“Ellmann’s polemic is a medley: a wickedly funny, rousing, depressing, caps-driven work of linguistic gymnastics hellbent on upbraiding the deleterious forces of the prevailing misogyny … Attentively negotiating a bleak world, the sentences remain joyous constructions … ‘Let it blaze!’ commands Woolf in Three Guineas. At their brightest, Ellmann’s own pyrotechnics are ones to savour.”

Things Are Against Us was also featured on the Lonesome Reader blog! The review was posted online on July 6, 2021, and can be read on their website here.

Reviewer Eric Karl Anderson wrote:

“This collection largely succeeds in distilling the author’s frustration about how we deserve better than the leaders we must live under and the systems we must live within. Ellmann wearily acknowledges towards the end of the book that “I recognize I’m fighting a losing battle—going up the down escalator” but I’m so glad she continues to march on and doesn’t allow herself to be silenced.”

Preorder Things Are Against Us today from Biblioasis here!

 

A Ghost in the Throat cover

A GHOST IN THE THROAT

Doireann Ní Ghríofa’s A Ghost in the Throat received a rave review in the Globe & Mail! The article was published on July 2, 2021. You can read it on their website here.

Reviewer Emily Donaldson wrote:

“Electrifying and genre-bending … The book’s title conveys the uncanny feeling Ní Ghríofa had while writing the book, of having another’s voice emanate from her own throat … Ní Ghríofa’s quest sometimes feels like DNA-sleuthing, but with earth and texts taking the place of cheek swabs … The final act of reciprocity may be that one great work has ultimately spawned another. Ní Ghríofa’s book wouldn’t exist without Ní Chonaill’s poem, in the same way the poem wouldn’t exist without the death of Art O’Leary: both are rooted in agonizing, exquisite emotion.”

Buy your copy of A Ghost in the Throat from Biblioasis here!

And don’t miss out on our limited-edition signed hardcover copy here!

 

MURDER ON THE INSIDE

Murder on the Inside coverCatherine Fogarty’s Murder on the Inside: The True Story of the Deadly Riot at Kingston Penitentiary received a rave review in the Literary Review of Canada! The article “Inside Kingston Pen: So irksome and so terrible” was published online last week and will appear in the July/August 2021 issue. You can read it on their website here.

Reviewer Murray Campbell wrote:

“In Murder on the Inside, the writer and television producer Catherine Fogarty relates this notable chapter in Canadian history crisply and in greater detail than the various feature articles written over the years or even Roger Caron’s first-hand account of the event, Bingo!, from 1985. Remarkably, Fogarty gives distinct personalities to the inmates and puts us on the inside of the negotiations that ensued … Murder on the Inside tells a story that Canadians ought to know. Fogarty’s final chapter brings that story up to date and shows that we have not fully learned the lessons of 1971 … The ghosts who haunted those cold, dank corridors are still with us.”

Learn more about Murder on the Inside here!

 

THE DEBT

Andreae Callanan’s The Debt received a great review in the Toronto Star! The review was published online on July 1, 2021 and appeared in the Saturday, July 3 print issue. You can read it on their website here.

Reviewer Barb Carey wrote:

“Andreae Callanan’s appealing debut collection is an exploration of what is owed: an individual’s debt to family, community and place in forming identity and the present’s debt to the past. In the opening poem, the St. John’s writer offers a lyrical portrait of the island she calls home … In a sardonic suite of poems called ‘Crown,’ she looks at the history of settlement and colonialism, and the effect of being ‘outpost, not empire.’ Callanan’s phrasing is crisp, forthright and imbued with the music in commonplace language.”

The Debt was also featured in an article from the Peterborough Examiner! The article was published on July 1, 2021. You can read it on their website here.

Get your copy of The Debt from Biblioasis here!

 

WHITE SHADOW

White Shadow coverRoy Jacobsen’s White Shadow also received a great review in the Toronto Star! The review was published on July 8, 2021, and it appeared in the print issue on Saturday, July 10, 2021. You can read the review on their website here.

Reviewer Janet Somerville wrote:

White Shadow is written in spare, affecting, unsentimental, vivid prose … Kind gestures translate perfectly in this ‘land of silence,’ where Barrøyers are ‘folk of few words’ with ‘great wisdom in hands and feet.’ A minimalist tale of tenacity, White Shadow is atmospheric and compelling.”

Pick up a copy of White Shadow from Biblioasis here!

News and Reviews: Highlighting Biblioasis Titles!

IN THE NEWS!

THINGS ARE AGAINST US

Things Are Against UsLucy Ellmann’s Things Are Against Us (September 28, 2021) received a rave review in The Observer! The review was published in their print issue on June 27, and online on June 28. You can read it on their website here.

Reviewer Hephzibah Anderson wrote:

“Funny and furious … Aimed at everything from air travel to zips, genre writing to men (above all, men), her ire is matched only by an irrepressible comic impulse, from which bubbles forth kitsch puns, wisecracking whimsy and one-liners both bawdy and venomous … You don’t have to agree with everything Ellmann says to find this supple, provocative volume invigorating. Indeed, part of its craftiness lies in keeping the reader guessing about precisely how seriously she takes herself … A manifesto worth getting behind. On second thoughts, better make it a womanifesto.”

Preorder your copy from Biblioasis here!

 

Dante's Indiana coverDANTE’S INDIANA

Randy Boyagoda’s Dante’s Indiana (September 7, 2021) received a positive review from Kirkus Reviews! The review was published online on June 29, 2021, and it will appear in their July 15, 2021 print issue. You can read it on their website here.

Kirkus wrote,

“Boyagoda keeps things moving quickly and imaginatively. He skewers hosts of sinners along the way, but the wit has a winsome empathy behind it. A rollicking, inventive, mostly successful satire—with a vein of seriousness and sadness underneath.”

Preorder your copy today from Biblioasis here!

 

100 MILES OF BASEBALL

Dale Jacobs & Heidi LM Jacobs were interviewed by Steve Paikin on TVO’s The Agenda about their new book 100 Miles of Baseball: Fifty Games, One Summer! The interview aired on June 15, 2021, and you can watch it on their website here.

On June 16, 2021, CBC Books included 100 Miles of Baseball in their list “24 Canadian books to get your dad for Father’s Day”.  You can check out the list on their website here.

Also, Dale Jacobs & Heidi LM Jacobs were interviewed by the Pandemic Baseball Bookclub. Heidi & Dale were joined in conversation by Andrew Forbes, author of The Only Way is the Steady Way. The interview was posted on June 16, 2021. You can watch it on their YouTube channel here.

Andrew Forbes wrote,

“In 100 Miles of Baseball, authors Heidi L.M. Jacobs and Dale Jacobs create a series of beautiful, heartfelt and carefully considered meditations on baseball’s myriad pleasures and meanings.”

Buy 100 Miles of Baseball from Biblioasis here!

 

DRIVEN

The Coast published an excerpt from Driven: The Secret Lives of Taxi Drivers highlighting Halifax driver, Michael Kamara’s story on June 16, 2021. The excerpt was published in the print issue and is available on their website here

Editor Morgan Mullin wrote,

“When you’re in a cab, looking at the back of the driver’s head, do you think about who they are? Not just their job—to get you from Point A to Point B—but their life and dreams? Probably not, the same way you don’t think about what your cashier had for breakfast. But Marcello Di Cintio does think of these things—enough that he wrote a book about cabbies, built on endless hours of interviews that construct the backstory of drivers from across the country.”

On June 18, 2021, the CBC’s Day 6 included Marcello Di Cintio’s Driven on their summer reading list! Book columnist Becky Toyne discussed Driven on the show, featuring it as one of the four titles she recommends. You can listen to the segment here.

Also on June 18, 2021, the Montreal Gazette included Driven in their list of “Time to revive an old habit: seven books to take out and about this summer”.  You can check out the list on their website here.

Reviewer Ian McGillis wrote,

“In Driven: The Secret Lives of Taxi Drivers, Marcello Di Cintio takes the time and trouble to engage with a cross-Canada range of people representing a profession too often taken for granted. Most of them are immigrants; all of them are subject to scarcely conceivable challenges and obstacles, often exacerbated by the onset of Uber.”

Marcello Di Cintio’s Driven: The Secret Lives of Taxi Drivers received a positive review in the Winnipeg Free Press! The review was published on June 26, 2021. You can read the review on their website here

Reviewer Gordon Arnold wrote:

Driven is a collection of short essays laying out the backstory for an eclectic array of immigrant cabbies … All of the characters are driven by an incredible work ethic, where 17-hour days are not uncommon … If you have spent any time at all in cabs, chances are you will have met some of the character types in this easy-reading collection.”

Marcello Di Cintio was also interviewed on the video & audio podcast Sweater Weather. Marcello spoke to writer Aaron Giovannone, and the episode aired on June 26, 2021. You can watch it on the YouTube channel here

Marcello Di Cintio was interviewed on another podcast, Canada Reads American Style. He was interviewed by the two hosts, Rebecca Higgerson and Shauna Quick, and the episode aired on June 28, 2021. You can listen to the episode here

Order your copy of Driven here!

 

LUCIA

The Globe & Mail included Alex Pheby’s Lucia (June 15, 2021) in the Summer 2021 Books Preview! The list was published online on Friday, June 18, 2021, and was also in their print issue on the weekend. You can read it on their website here.

Reviewer Emily Donaldson praised Lucia:

“An air of mystery has always clung to Lucia Joyce—daughter of writer James, dancer and lover of, among others, Samuel Beckett and Alexander Calder … In an original, bravura turn, British novelist Alex Pheby tells Lucia’s story from the perspective of the various men around her (spoiler alert: none come off well).”

Buy Lucia today from Biblioasis here!

 

A GHOST IN THE THROAT

A Ghost in the Throat coverDoireann Ní Ghríofa’s A Ghost in the Throat (June 1, 2021) received a rave review from the Chicago Review of Books! The review was published on June 25, 2021. You can read it on their website here

Reviewer Shazia Hafiz Ramji wrote:

“A detailed tapestry that threads Eibhlín Dubh’s family histories with the author’s own translations of her poem from the Irish, Ní Ghríofa’s essayistic and intimate style recalls the inter-disciplinary perambulations of W.G. Sebald and the uncompromising feminism of Maggie Nelson … A Ghost in the Throat is a kaleidoscopic book of ‘homemaking’ that centers the intuitive knowledge of the body in order to learn to live—again, again, and again.

Also, A Ghost in the Throat was included by Buzzfeed Books as one of “58 Great Books to Read This Summer, Recommended by Our Favourite Indie Booksellers”! The listed was posted on June 24, 2021. Check it out here

James Crossley at Madison Books wrote:

“Many writers have used classic literary works as a lens for examining their own lives, but none have ever given me the visceral thrill that Doireann Ní Ghríofa has. She doesn’t meditate on a mysterious 18th-century Irish lament; she wrestles with it, turning it over and over to reveal myriad intimate connections to modern motherhood and marriage. To read A Ghost in the Throat is to hold in your hands a living, beating heart.”

Finally, A Ghost in the Throat was listed by Page One as a New & Noteworthy title in their July/August 2021 issue.  It will be available in print, and you can check out the list on their website here.

Get your copy of A Ghost in the Throat from Biblioasis here!

 

ON PROPERTY nominated for the TORONTO BOOK AWARDS

Book cover for Rinaldo Walcott's On Property. Features the author's name and title at the top with "Field Notes" written on the side vertically. Overlapping the title is a security camera.We’re excited to announce that Rinaldo Walcott’s On Property has been nominated for the 2021 Toronto Book Awards! The longlist was announced yesterday on June 29, 2021. Rinaldo Walcott is one of 10 authors on the longlist. The shortlist will be announced in August 2021.

Established by Toronto City Council in 1974, the Toronto Book Awards honour books of literary merit that are inspired by the city. The annual awards offer $15,000 in prize money with shortlisted authors receiving $1,000 each and the winner taking home $10,000.

There are no separate categories: novels, short story collections, books of poetry, books on history, politics and social issues, biographies, books about sports, children’s and young adult books, graphic novels and photographic collections are judged together.

Jurors for the 2021 Toronto Book Awards narrowed the field from a record-setting 93 submissions to just 10 books. The 2021 Book Awards Jury was made up of Geoffrey E. Taylor, Christine Miskonoodinkwe Smith, Andy Stanleigh, Angela Wright, and Sanchari Sur.

The other books on the 2021 longlist are Missing From the Village by Justin Ling (Penguin/Random House), Saga Boy: My Life of Blackness and Becoming by Antonio Michael Downing (Penguin/Random House), Crosshairs by Catherine Hernandez (Simon & Schuster), Æther: An Out-of-Body Lyric by Catherine Graham (Wolsak & Wynn), Swimmers in Winter by Faye Guenther (Invisible Publishing), Speak, Silence by Kim Echlin (Penguin/Random House), Hana Khan Carries On by Uzma Jalaluddin (Harper Collins Canada), The Good Fight by Ted Staunton, & illustrated by Josh Rosen (Scholastic Canada), and Unravel by Sharon Jennings (Red Deer Press). Last year’s winner was The Skin We’re In: A Year of Black Resistance and Power by Desmond Cole (Doubleday Canada).

 

ABOUT ON PROPERTY

Photo Credit: Abdi Osman

From plantation rebellion to prison labour’s super-exploitation, Walcott examines the relationship between policing and property.

That a man can lose his life for passing a fake $20 bill when we know our economies are flush with fake money says something damning about the way we’ve organized society. Yet the intensity of the calls to abolish the police after George Floyd’s death surprised almost everyone. What, exactly, does abolition mean? How did we get here? And what does property have to do with it? In On Property, Rinaldo Walcott explores the long shadow cast by slavery’s afterlife and shows how present-day abolitionists continue the work of their forebears in service of an imaginative, creative philosophy that ensures freedom and equality for all. Thoughtful, wide-ranging, compassionate, and profound, On Property makes an urgent plea for a new ethics of care.

 

ABOUT RINALDO WALCOTT

Rinaldo Walcott is a Professor in the Women and Gender Studies Institute at the University of Toronto. His research is in the area of Black Diaspora Cultural Studies, gender and sexuality.

 

Get your copy of On Property from Biblioasis here!

DRIVEN, ON TIME AND WATER: Latest Headlines!

IN THE NEWS!

DRIVEN

On Monday, May 31, 2021, Marcello Di Cintio was interviewed on CTV Calgary at Noon! You can watch it on their website here, or below. Marcello’s interview on the segment begins around 18 minutes in.

Marcello Di Cintio’s Driven The Secret Lives of Taxi Drivers was included in the Toronto Star‘s list “24 (mostly Canadian) books for a summer’s worth of reading.” The summer reading list was posted online on June 4, 2021. You can read it here

Deborah Dundas wrote,

“So often when we talk about taxi drivers’ stories, we fall into clichés: the assaults, the immigrant dreams dashed. But this is not that kind of book: Di Cintio spoke to dozens of taxi drivers across the country, having many conversations over a cup of Timmie’s coffee, getting to know, understand and often celebrate the lives of the men and women who drive us around. It’s also a bit of an homage to a taxi industry that is in flux in these days of Uber and Lyft.”

Marcello Di Cintio’s Driven was included in the Maclean’s list “20 books you should read this summer”! The reading list was posted online on June 9, 2021. You can read it here

Amil Niazi wrote,

“There are few spaces as consistently intimate and yet ultimately anonymous as that of a cab. In his new book, subtitled The Secret Lives of Taxi Drivers, Calgary-based Di Cintio writes, ‘As passengers, we rarely wonder at the lives of those we know only by the reflection of their eyes in a rear-view mirror.’ He presents a varied, eclectic collection of stories from the frontlines of North America’s taxi industry, showcasing the indomitable hope of the people who literally keep our cities moving forward.”

Pick up your copy of Driven from Biblioasis!

 

ON TIME AND WATER

Andri Snær Magnason was interviewed on CBC Ideas about On Time and Water! The interview was aired on June 10, 2021. You can listen to it on CBC’s website here

Last week on June 7, 2021, On Time and Water was included on The Guardian‘s list of “This month’s best paperbacks”. You can read the full list and review on their website here.

Reviewer P.D. Smith raved,On Time and Water cover

“Magnason’s moving and heartfelt paean to glaciers turns the science of the climate crisis into a story of personal loss. He draws on the experiences of his family and relatives, as well as Iceland’s rich cultural relationship to its wild and rugged landscape, to communicate the true scale of the catastrophe that is coming and its impact on lives and societies.”

On June 8, 2021, On Time and Water was highlighted on CBC Calgary’s Homestretch as a recommended Father’s Day book. Anne Logan featured the book in her book column. You can listen to it on their website here.

Also on June 8, 2021, On Time and Water was reviewed by Shiny New Books: What to Read and Why. You can read the review on their website here.  

Reviewer Peter Reason wrote,

“Magnason is onto something in creating poetic narratives that make the geological personal in this manner: referring back to our living ancestors’ experience confronts the shifting baseline from which we experience the changing world; and it draws on our imagination in ways that statistics don’t … On Time and Water has a lot to recommend about it … The imaginative exploration, is in itself deeply worthwhile.”

Get your copy of On Time and Water today from Biblioasis!

A GHOST IN THE THROAT, DRIVEN, WHITE SHADOW: In The News!

IN THE NEWS!

A GHOST IN THE THROAT

A Ghost in the Throat coverOn Tuesday, May 25, 2021, Doireann Ní Ghríofa’s A Ghost in the Throat received a rave review in The New York Times! The review was published online, and was in the print issue on May 26, 2021. You can read it on their website here.

Reviewer Parul Sehgal wrote,

“The ardent, shape-shifting A Ghost in the Throat is Ní Ghríofa’s offering … She pieces together Ní Chonaill’s life as if she is darning a hem, keeping the story from unraveling further. She interrupts herself to stuff a child into a car seat, wrestle a duvet into its cover, pick pieces of pasta off the floor … What is this ecstasy of self-abnegation, what are its costs? She documents this tendency without shame or fear but with curiosity, even amusement … The real woman Ní Ghríofa summons forth is herself.”

And we’re thrilled that A Ghost in the Throat also received a second rave review in The New York Times! The review was published online on June 1, and it will be in a print issue this week. You can read it on their website here.

Reviewer Nina Maclaughlin wrote,

“A powerful, bewitching blend of memoir and literary investigation … Ní Ghríofa is deeply attuned to the gaps, silences and mysteries in women’s lives, and the book reveals, perhaps above all else, how we absorb what we love—a child, a lover, a poem—and how it changes us from the inside out … This is not dusty scholarship but a work of passion. ‘Raw’ is not the right word; the book is finely structured, its pace controlled. ‘Vulnerable’ gets closer, in its root force: vulnus, or wound. This book comes from the body, from the ‘entwining strands of female voices that were carried in female bodies.’ The sound of the female voice, the aural texture of A Ghost in the Throat, is part of its deep pleasure.”

A Ghost in the Throat was also reviewed in New York Magazine‘s weekly literary newsletter for Vulture, “Read Like the Wind”. The newsletter was emailed out on June 1, 2021. You can read the review here.

Reviewer Molly Young wrote,

A Ghost in the Throat is a thrilling voyage into the lore of Ireland, motherhood, marriage, blood, and guts … Ghríofa assembles a cache of information on Eibhlín Dubh, composing her translation during minutes stolen away from domestic tasks. This is both a page-turner and a raw but erudite expression of a totally unique consciousness.”

Doireann Ní Ghríofa did an interview about A Ghost in the Throat with Between the Covers, a literary radio show and podcast hosted by David Naimon (produced by Tin House and KBOO 90.7FM community radio in Portland, Oregon). Her interview was released on June 1, 2021. You can listen to the episode on their website here.

Here’s what David Naimon had to say:

“A Ghost in the Throat is wonderfully hard to categorize: a memoir, a work of historical fiction, an autofiction, a translation, a book about translation, a book about poetry, a book that is poetry. It is all of these things and yet reads less like a work of avant-garde literary experiment and more like a detective or adventure story, an act of literary archaeology, a love letter, and a reclamation against the erasure of women’s lives and women’s art.”

The Paris Review published a wonderful, thoughtful review with Doireann Ní Ghríofa about A Ghost in the Throat. Rhian Sasseen, the Engagement Editor at Paris Review, spoke to Doireann about her writing, the mischief of translation, and the importance of elevating women’s voices. The interview was published on their website on June 2, 2021. You can read it here

Here’s a highlight from one of Doireann Ní Ghríofa’s responses:

“It’s only as we progress through a life in art, or a life in literature, that we begin to understand what our core concerns are, and history is the throbbing pulse of my work as an artist. In all of my books, in all of my poems, I return again and again to our sense of the past and what questions the past is asking of us, and the ways in which we attempt to answer those questions, just by being who we are in the environments we’re born to.”

And finally, Doireann Ní Ghríofa was interviewed on Across the Pond, the literary podcast hosted by Texas indie bookstore owner Lori Feathers and UK publisher Sam Jordison. Across the Pond is a podcast about the most discussed and anticipated books on both sides of the Atlantic. Doireann was interviewed for their seventh episode, which was posted on June 1, 2021. You can listen to it here.

Pick up your copy of A Ghost in the Throat from Biblioasis!

 

DRIVEN

Marcello Di Cintio, author of Driven The Secret Lives of Taxi Drivers (May 4, 2021), was interviewed by Piya Chattopadhyay on CBC’s The Sunday Magazine! The interview was aired on Sunday, May 16, 2021. You can listen to it here.

Marcello Di Cintio’s Driven The Secret Lives of Taxi Drivers received a starred review from Quill & Quire! The review was published online on May 20, 2021, and it was published in the print June 2021 issue. You can read it online here.

Reviewer Kevin Hardcastle raved,

“Di Cintio, a two-time winner of the W.O. Mitchell City of Calgary Book Prize, lets the drivers’ individual stories shine in these anthologized glimpses while reserving his own judgments … In a world of ride shares and COVID-19, the stories in Driven are coloured by the spectre that this livelihood could be lost … But there is hope in these stories and a powerful dose of humanity in how these drivers endure, all while looking squarely at inequities and uncertainty. The cabbies profiled by Di Cintio are not here just to tell stories; they reveal truth in a way that may well disarm and sharply adjust the perceptions of many readers.”

Marcello Di Cintio also published an article in the Globe & Mail titled “‘Road’ scholars: why every taxi driver possesses their own type of genius”! The article was published online on May 21, 2021, and it was published in the print issue of the Globe the following weekend. You can read it online here.

Finally, Marcello Di Cintio’s Driven The Secret Lives of Taxi Drivers received a great review in the Literary Review of Canada! The review was published online on May 26, 2021, and it will be in the June 2021 print issue of the LRC. You can read it online here.

Reviewer David Macfarlane wrote,

“No big event kicks Driven into gear. Nobody is a celebrity. There is no specific wrong to be righted, no particular injustice to be exposed. Indeed, Di Cintio consciously abjures the best-known tropes of cab driving … Instead, he sticks to wanting to know about cab drivers, and this impulse—plain, old-fashioned inquisitiveness—is a journalistic force not to be underestimated.”

Get your copy of Driven today from Biblioasis!

 

WHITE SHADOW

White Shadow coverRoy Jacobsen’s White Shadow (April 6, 2021) was featured by the New York Times in their list “The Ultimate Summer Escape: Historical Fiction”! The list was published on May 27, 2021. You can read the article on their website here.

Reviewer Alida Becker wrote,

“The heroine of Roy Jacobsen’s White Shadow knows every inch of her home turf, a tiny island off the coast of northern Norway that her people have inhabited for generations … The novel’s account of Ingrid’s experience of World War II is unsettlingly easy to follow.”

On June 1, 2021, White Shadow was the featured novel at Interabang Books’ (Dallas, TX) June Book Club meeting. The book club was highlighted by PaperCity Magazine in their list “The Best Event Series to Catch for a Dallas Summer Well Spent”. The list was published on May 26, 2021, and you can read it on their website here.

Grab your copy of White Shadow from Biblioasis!

 

IF YOU HEAR ME wins the 2020 GOVERNOR GENERAL’S LITERARY AWARD IN TRANSLATION

Biblioasis is thrilled to share that this morning on Tuesday, June 1, 2021, it was announced by the Canada Council for the Arts that If You Hear Me by Pascale Quiviger & translated by Lazer Lederhendler (March 3, 2020) has won the 2020 Governor General’s Literary Award in Translation! As the winning translator, Lazer Lederhendler is awarded $25,000 CAD. All finalists received $1,000 CAD. This is Lazer Lederhendler’s third time winning the Governor General’s Literary Award in Translation. He previously won for The Party Wall in 2016 (Biblioasis) and Nikolski in 2008 (Knopf Canada).

In a statement, publisher Dan Wells said, “All of us at Biblioasis are very happy that Lazer Lederhendler’s translation of Pascale Quiviger’s If You Hear Me has won the Governor General’s Award for Translation. Lazer has long been one of the very best translators in the country, as this, his sixth nomination and third win for the Governor General’s Award attest: it’s been an honour and joy to work with him on If You Hear Me, and we thank the jury for their support and acknowledgement of his incredible work.”

If You Hear Me was chosen as the winner by a peer assessment committee that included Angela Carr, Jo-Anne Elder, and Nigel Spencer. Here’s what they had to say in praise of the book:

“Lazer Lederhendler has presented challenging subject matter with sensitivity, nuance and elegance. His language is powerful yet limpid, understated yet heartbreaking, and lightly humorous. He delicately navigates complex layers of trauma in the immigrant and the patient, lingering between life and death, dream and reality. The finely drawn characters in this novel wait, as we all do, for release.”

The awards, administered by the Canada Council for the Arts, are given in seven English-language categories: fiction, nonfiction, poetry, young people’s literature—text, young people’s literature—illustration, drama and translation. Seven French-language awards are also given out in the same categories.

The other finalists for the Governor General’s Literary Award in Translation were Amaryllis & Little Witch by Pascal Brullemans & translated by Alexis Diamond (Playwrights Canada Press), Back Roads by Andrée A. Michaud & translated by J. C. Sutcliffe (House of Anansi), The Country Will Bring Us No Peace by Matthieu Simard & translated by Pablo Strauss (Coach House Books), and The Neptune Room by Bertrand Laverdure & translated by Oana Avasilichioaei (Book*hug Press).

To celebrate the win, Biblioasis is hosting a virtual event on Saturday, June 26, 2021 at 2 PM EDT with both Pascale Quiviger and Lazer Lederhendler. There will be a discussion, a Q&A, and a book giveaway! Stay tuned for more details.

ABOUT IF YOU HEAR ME

Sliding doors open and close automatically, exit to the left, entrance to the right. Beyond it, cars go by, and pedestrians and cyclists. A large park behaves as if nothing has happened. The mirage of a world intact.

In an instant, a life can change forever. After he falls from a scaffold on the construction site where he works, David, deep in a coma, is visited regularly by his wife, Caroline, and their six-year-old son Bertrand. Yet despite their devotion, there seems to be no crossing the divide between consciousness and the mysterious world David now inhabits. Devastated by loss and the reality that their own lives must go on, the mourners face difficult questions. How do we communicate when language fails? When, and how, do we move forward? What constitutes a life, and can there be such a thing as a good death? All the while, David’s inner world unfolds, shifting from sensory perceptions, to memories of loved ones, to nightmare landscapes from his family’s past in WWII Poland.

Elegantly translated by Lazer Lederhendler, If You Hear Me is a gripping account of a woman’s struggle to let go of the husband whose mind is lost to her while his body lives on in the bittersweet present, and a deft rendering of the complexity of grief, asking what it means to be alive and how we learn to accept the unacceptable—while at the same time bearing witness to the enduring power of hope, and the ways we find peace in unexpected places.

ABOUT PASCALE QUIVIGER

Born in Montreal, Pascale Quiviger studied visual arts, earned an M.A. in philosophy and did an apprenticeship in print-making in Rome. She has published four novels, a book of short stories and a book of poems, and has written and illustrated two art books. Her novel The Perfect Circle won the Governor General’s Literary Award for Fiction in French, and, in English translation, was a finalist for the Giller Prize. The Breakwater House was a finalist for the Prix France-Québec, and If You Hear Me was translated into Spanish. A resident of Italy for more than a decade, Pascale Quiviger now lives with her family in Nottingham, England.

ABOUT LAZER LEDERHENDLER

Lazer Lederhendler is a full-time literary translator specializing in Québécois fiction and non-fiction. His translations have earned awards and distinctions in Canada, the U.K., and the U.S.A. He has translated the works of noted authors including Gaétan Soucy, Nicolas Dickner, Edem Awumey, Perrine Leblanc, and Catherine Leroux. He lives in Montreal with the visual artist Pierrette Bouchard.

 

Get your copy of If You Hear Me now from Biblioasis!

STRANGERS Virtual Launch Video

On Thursday, May 27 we celebrated the launch of Rob Taylor’s poetry collection, Strangers! Rob Taylor was joined for a great discussion by Sadiqa de Meijer and Sue Sinclair. The night finished off with an audience Q&A and book giveaway! The event was co-hosted with Massy Books in Vancouver, BC.

And ICYMI, you can still watch the launch in the video below!

ABOUT STRANGERS

“It makes no sense. You would be strangers / if not for this.”

In Strangers, Rob Taylor makes new the epiphany poem: the short lyric ending with a moment of recognition or arrival. In his hands, the form becomes not simply a revelation in words but, in Wallace Stevens’ phrase, “a revelation in words by means of the words.” The epiphany here is not only the poet’s. It’s ours. A book about the songlines of memory and language and the ways in which they connect us to other human beings, to read Strangers is to become part of the lineages (literary, artistic, familial) that it braids together—to become, as Richard Outram puts it, an “unspoken / Stranger no longer.”

ABOUT THE AUTHOR

Rob Taylor is the author of four poetry collections, including Strangers (Biblioasis, 2021) and The News (Gaspereau Press, 2016), which was a finalist for the 2017 Dorothy Livesay Poetry Prize. He is also the editor of What the Poets Are Doing: Canadian Poets in Conversation (Nightwood Editions, 2018) and the guest editor of Best Canadian Poetry 2019 (Biblioasis, 2019). Rob lives with his family in Port Moody, BC.

Order your copy from Biblioasis here!

You can also order from Massy Books, or your local bookstore!

HERE THE DARK wins the MCNALLY ROBINSON BOOK OF THE YEAR AWARD!

We’re thrilled to share that on Thursday, May 20, 2021 at 11 AM CDT, it was announced by the Manitoba Book Awards that Here the Dark by David Bergen won the McNally Robinson Book of the Year Award!

The prize for the McNally Robinson Book of the Year Award is $2000 CAD. The award recognizes excellence in Manitoba writing. Congratulations to David Bergen!

The other finalists for the McNally Robinson Book of the Year Award were Black Water: Family, Legacy, and Blood Memory by David A. Robertson (HarperCollins), Dragonfly by Lara Rae (J. Gordon Shillingford), My Claustrophobic Happiness by Jeanne Randolph (ARP Books), Tablet Fragments by Tamar Rubin (Signature Editions), and The World is Mostly Sky by Sarah Ens (Turnstone Press).

ABOUT HERE THE DARK

From the streets of Danang, Vietnam, where a boy falls in with a young American missionary, to fishermen lost on the islands of Honduras, to the Canadian prairies, where an aging rancher finds himself smitten and a teenage boy’s infatuation reveals his naiveté, the short stories in Here the Dark chronicle the geographies of both place and heart. Featuring a novella about a young woman torn between faith and doubt in a cloistered Mennonite community, David Bergen’s latest deftly renders complex moral ambiguities and asks what it means to be lost—and how, through grace, we can be found.

ABOUT THE AUTHOR

David Bergen has published eight novels and a collection of short stories. His work has been nominated for the Governor General’s Literary Award, the Impac Dublin Literary Award, and a Pushcart Prize. He won the Giller Prize for his novel The Time in Between. In 2018 he was given the Writers’ Trust Matt Cohen Award: In Celebration of a Writing Life.

Buy your copy of Here the Dark today at Biblioasis!