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The Bibliophile: “Arnhem”

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***

Elise Levine’s Big of You comes out next Tuesday, September 9 in Canada. I’ve been waiting, with anticipation, for about six months—ever since reading that first story on my work computer between emails—for everyone else in the country to pick up this unsettling, strange, beautiful book.

Big of You ranges across Europe, North America, and space. It includes all sorts of characters, from a mythological, millennia-old creature, to a nineteenth-century inventor and photographer, to a group of older women vacationing in the desert. What I find most stunning about Levine’s writing is her ability to convey the expressive interiority of each character. Tonally, her characters are wildly, humourously, iconically individual. These are some of the realest people I’ve ever encountered in fiction (and by real, I mean so exceptionally unique they border on the surreal).

Below is an excerpt from Big of You’s opening story, “Arnhem.” Coincidentally, this piece also appeared in Best Canadian Stories 2021 (edited by Diane Schoemperlen). I hope you’ll love this one—and the others—as much as I do.

Happy reading,

Dominique
Publicity & Marketing Coordinator

Photo: Big of You by Elise Levine. Cover designed by Ingrid Paulson.

An excerpt from “Arnhem”

My husband leaves—I asked him to, or I didn’t, I can’t keep it straight—and I’m thinking, two girls on a hill. Heidelberg, or Conwy in North Wales where there’s also a castle. Two girls, telepathic as ants, making fast along a wet street. Oxford or Bruges. One girl’s freezing in her white summer dress. The other girl’s clad in army surplus pants and a baggy turtleneck sweater. Both of them seventeen, smug as cats, having blown off the archaeological dig on Guernsey, for which they’d secured positions six months earlier by mail. Mud labour, fuck that shit. On the appointed start date they simply hadn’t shown. Instead they thumb around, do all the things.

In a fancy café in Brussels, they order frites, which arrive on a silver platter, grease soaking into the paper doily. North of Lisbon they sleep on a beach one night. They run out of money in Paris and panhandle, not very well but they get by.

Who do they think they are?

Who did I?

I think we went to the zoo in Arnhem. I think we met a composer at some youth hostel who was from Arnhem. We met two young Italian men at a hostel in Mons. No one else was around and they tried to kiss us near the bathrooms when we went to brush our teeth that night. One of the young men forced one of us against the wall of the repurposed army barracks and thrust his pelvis a few strokes, while the other man stood back with the other one of us and watched. One night in the hostel in Amsterdam there was a phone call for one of us, and we both trundled barefoot down the stairs to the hostel office in our prim cotton nighties. Turns out one of our grandmothers was dying, the grandmother of the one of us who still had a grandmother.

I was the friend. We were friends.

I slept beside her in a roomful of older young women, all of us on cots half a foot off the damp floor. This was Cambridge. Dew on the windows all night, late June. The women were real diggers, by day excavating a nearby pre-Roman site. The men diggers, including my friend’s older brother who we were visiting, and the reason we’d dreamed up the scheme of ourselves volunteering on a site, slept in another large room, down the hall—so much for the men. But the women—solid, practical, tough. Intimidating to the extent that when I say I slept, the truth is I barely did, cold, legs aching, bladder wretched because I was too scared to get up. To be weak. To even think it. Be that person.

Which one was I?

Not the one in the summer dress. The one in the Shetland turtleneck.

*

If I were telling this to my husband, I’d say: the next morning in Mons the sky was clear. Awake for much of the night, my friend and I rose early and packed and picked through the continental breakfast array in the main hall. Individual portions of spreadable cheese wrapped in foil. Crisp rye flatbreads. Ginger jam. I’d never seen anything like it. The Belgian couple who managed the hostel, in their mid-thirties probably, kindly asked how we’d slept. We spilled the beans about the young men and the couple’s eyes grew round and their foreheads pinched. They would have a word with those guys.

By the time the couple did, if they did, and it’s true we believed them, my friend and I were gone.

*

We left Lisbon broke and caught rides up the coast. Mostly guys, some with their own ideas. Sometimes a woman who’d ask if we were okay. We were okay.

*

The beach was small with large-grained sand. We didn’t bother to take our shoes off.

The man who drove us there was slight of build. His mustache was light brown. At dusk he parked on the street and led us down to the water where we thanked him and said goodbye. He’d asked if we wanted to sleep on a beach that night and we’d said yes, please. Anything for an adventure to recall later in life. To say, How cool was that?

The sea frothed at our feet and the air smelled of brine. We toed a few half-circles and the sea erased them. We stretched our backs, yawned. He refused to take the hint. Thank you, okay?

He made himself understood then. He was spending the night with us. He’d called a buddy from the roadside café he’d taken us to earlier, where under his guidance we’d eaten squid in black ink very cheap and drunk cheap wine. Soon his friend would be here to meet us too.

It’s not like the driver had a tent or sleeping bags. Was there even a moon that night? There was a family camping nearby. A woman, a man, a child maybe eight-nine years old. They had a tent. Sleeping bags, no doubt. Judging by the track marks, they’d dragged a picnic table over, and the fire on their portable stovetop burned brighter while the sky grew darker and the man and my friend and I sat on the sand waiting, he for his friend, my friend and I for some notion of what to do, clueless as sheep.

It grew dark-dark. A flashlight made its way toward us. It was the woman. With her nearly no English and our no Portuguese and a little French between us, she ushered my friend and I into the tent with her husband and son.

How did we all fit? I must have slept the sleep of the dead, for all I can remember of the rest of that night.

Check out Elise Levine’s interview with Katherine Abbass in The Ex-Puritan!

*

When we first got together, my husband complained I slept like a swift. When things went from infrequently to occasionally bad to totally the worst between us, he said I slept like a fruit fly.

I pull the covers over my head. He’s not here to stop me, he’s at a friend’s—his, not mine. A week since yesterday. Good thing I brought my phone with me, light in darkness, all that. Especially with the news bulletins the past few days. Will I be okay? Will he? I hit his number and hang up when he answers. He immediately calls back, probably to yell, and I press piss off.

I ferret my arms out from beneath the covers. Stop calling me, I text-beg. Please.

For the next hour, while I still have my phone on, and for the first time in several years, he does as I say.

*

Around midnight I run a bath. I’m thinking again about the beach in Portugal, the family’s tent—the next morning my friend and I woke and stretched and crept back out. The driver lay curled like an inchworm on the sand near the waterline, no friend in sight.

He did drive us back to the highway, game of him. We girls, young women, once again stuck out our thumbs. Auto-stop, they call it there.

I switch off the bathroom light and climb in the tub for a long soak. My phone is still off, but I’ve got it holding down the toilet seat, in case.

My husband is in IT. He’s never once in his life hitchhiked. Like never even tried? No, he said on our first date, dinner at a pasta bar before a movie. Pale noodles, pale sauce, what can you expect for Cleveland, I thought, having recently moved there for the second of what turned into a seemingly endless stream of visiting assistant professor gigs. Before adjunct was what I could get. Now, not even that.

Like not even once? I’d pressured him that night over dinner. Never ever?

My date—who became my husband, at least for awhile, if I understand his intent by hightailing it to a friend’s, if I understand my own intentions—said no in a way that I knew to shut up about it for good.

*

Before he left us that morning by the side of the highway, the Portuguese driver tried to kiss me. I bit his lip to stop him. Where had I ripped that idea from? Some movie or book.

He got mad. Pushed me from him and fingered his mouth. Looked like he was considering options.

Later, in the back seat of our next ride that day—a Spanish couple returning from holiday, non–English speakers—my friend turned to me and said, I thought he was going to hit you. Why on earth would you do that?

I shrugged her off. But I’d also thought he was going to deck me. Some memorable story, one for the ages, something to one day tell the kids.

*

Weeks before Portugal, immediately after the phone call at night to the hostel in Amsterdam—when my friend learned her grandmother had cancer, and might not make it, and I took this news in grave solidarity, assumed a mournful expression that said I understood, I was by my friend’s side forever in all things—we sat on the floor outside our hostel room, nighties tucked around our legs. The old woman. The fights she fought with my friend the raging vegetarian, she of the curly hair she refused to tame. The stubborn fact of the fierce old creature—gone? Weird to think. But I nodded, weird I knew. The previous summer my father had an affair, and my mother told me about it, and now I told my friend about it. How the woman called my mother on the phone and said she and my father were in love. You’re only in love with his credit cards, my mother told the woman.

My friend put her feet flat on the hostel floor and rocked back against the hallway wall, she laughed her ass off. My god, she gasped. What a stupid cliché.

Earlier on the trip, fresh off the plane, well before we’d hit the road thumbs out, we’d stayed in London, and things hadn’t gone so well between us. At Trafalgar Square, on our third afternoon away from home, my friend undertook a spat with me. Talk to me, she semi-shouted. You literally dumb bitch. You need to tell me what you’re thinking, share your thoughts. Otherwise I might as well have left you at home.

The sun is nice today, the sun is too hot. Another beer, why not. Look at that old man over there. In Madrid, I told her I was afraid of morphing into one of the numerous homeless some day. You won’t, she said airily, you have family, friends. This sun is too hot.

Photo: The chapter title page for “Arnhem.” Interior by Ingrid Paulson.

*

I will share this: after my friend’s first suicide attempt, when we were fifteen and she was in the hospital over March break, I declined her single working mom’s invitation to host me at their house so I could help my friend through this difficult period. Instead I went to Myrtle Beach with my parents and little brother. Every afternoon the sib and I rode the Monster, tentacled and huge, at the sleazy mini-fairgrounds down the street from our efficiency motel room. Mornings we crossed the street to the hotel that actually was on the beach and baked in the sun by the heated pool. We swam too, hotfooting across the sugar sand to plunge in the icy waters, before reverse scampering and jumping in the pool to feel our skin burn. What else? I got mild sunstroke on our last day. For six bucks in a tourist shop, I bought my friend a pickled octopus jammed into a small jar.

You bet it was expired. Worse, by fifteen my friend had already gone vegetarian. When I got back home, more red and blistered than tanned, I paid her a visit in the hospital, and presented my gift. The look on her face. The shapeless blue gown, the big bandage around her wrist.

This was before Europe. I had no excuse. It was before my friend told me, that night on the Portuguese beach—sitting on the sand beside the driver who spoke little to no English, waiting for his friend to arrive, and before the family with the tent rescued us, that time in between, when the scope of our situation was beginning to sink in—that I really did not want to lose my virginity this way. Believe her, she knew all about it, having lost hers that spring, in the sleeping bag she’d borrowed from me, so she could go camping with this guy from our history class. He’d been a child actor in popular TV commercials and evolved into a cute teen actor doing same. Years later, years after this night in Portugal, he became a handsome adult actor, with a dimple so deep it nearly cleft his chin, and portrayed a cooped up astronaut in a popular show, and penned screenplays about the world wars, assigning himself the tortured-hero roles.

The night my friend and I slept in the tent in Portugal, I hadn’t heard the ocean waves, though they couldn’t have been more than twenty, thirty feet away. I hadn’t felt the pounding. Like I said: sleep of the dead. Those waves crashing closer, shuffling farther out, and neither my friend nor I possessing a clue about tides.


In good publicity news:

POGUEMAHONE, SAY THIS, THE MUSIC GAME, SHIMMER: Reviews & Interviews!

IN THE NEWS

POGUEMAHONE

Patrick McCabe has been interviewed in The Times in regards to his forthcoming novel Poguemahone (May 3, 2022). “Pat McCabe: A lifetime’s search for the voice” was published online on March 18, 2022. You can read the full interview here.

An excerpt from the interview:

“In the early stages of creating his new novel, though, there were times when he wondered if he was throwing it all away. Poguemahone is a free-form experiment that reads like a psychedelic ballad. Narrated by an Irishman living in England, it’s McCabe’s weirdest and wildest work to date. ‘And it’s my best,’ he insists. ‘I worked so hard on it. I’m not a great fan of indiscipline. It might look like this is wild, but everything ties up in it, and that’s not always the case with me. It won’t be for everybody, but it is for me.'”

The Globe and Mail posted their ‘Spring 2022 Books Preview’ and it includes Poguemahone (May 3, 2022) by Patrick McCabe! You can view the full list here.

Of Poguemahone, Emily Donaldson writes:

“The Irish writer, twice a Booker bridesmaid for novels including The Butcher Boy, takes an audacious stylistic turn with this 600-page novel-cum-snowballing-free-verse-monologue by an Irishman caring for his 70-year-old dementia-afflicted sister in England, which the Guardian has boldly declared this century’s Ulysses.”

Preorder Poguemahone from Biblioasis here!

SHIMMER

Also included in the Globe and Mail‘s ‘Spring 2022 Books Preview’ was Alex Pugsley’s short story collection, Shimmer (May 17, 2022)! Check it out on the list here.

Of Shimmer, Emily Donaldson writes:

“Dialogue, character study and a fair dose of profanity star in the latest collection of short stories by the Halifax writer whose previous work has elicited comparisons to Robertson Davies and John Irving.”

Preorder your copy of Shimmer here!

THE MUSIC GAME

The Music Game (February 8, 2022) by Stéfanie Clermont, trans. by JC Sutcliffe, has been reviewed in Quill & Quire! The review was posted online on March 17, 2022, and will be in their March 2022 print issue. Read the full review here.

Reviewer Cassandra Drudi writes:

“A richly created world that spans cities and years … Despite the often dark subject matter, The Music Game is hopeful and optimistic, too: it is a portrait of people who have built community on their own terms.”

Pick up your copy of The Music Game here!

SAY THIS 

Say This (March 1, 2022) by Elise Levine, was interviewed on Across the Pond podcast. It was published online on March 22, 2022. You can listen to the full episode here.

Get your copy of Say This here!

Spotlight On: BLUE FIELD by ELISE LEVINE

Welcome back to Biblioasis’ Spotlight series! For the month of December, we’ve chosen to feature Elise Levine’s claustrophobic and visceral novel Blue Field (April 11, 2017).

BLUE FIELD

When her friend Jane dies while exploring an underwater cave with her husband Rand, Marilyn takes up diving again, to honour—and outdo—her late friend. Marilyn drags Rand with her as she increasingly pushes herself far past her limits and skill level, endangering them both in their private underwater version of hell.

More than two decades after the release of her sensational, critically acclaimed collection Driving Men MadBlue Field marks Elise Levine’s much anticipated return to form.

Elise Levine’s Say This: Two Novellas is forthcoming in March 2022. She is also the author of the recent story collection This Wicked Tongue, the novels Blue Field and Requests and Dedications, and the story collection Driving Men Mad. Her work has appeared in publications including PloughsharesBlackbirdThe Gettysburg Review, and has appeared four times in Best Canadian Stories. She lives in Baltimore, MD, and teaches in the MA in Writing program at Johns Hopkins University.

 

A WORD FROM THE AUTHOR

On New Work

Who gets to say? What’s it like to begin—to even just begin to begin—thinking and living in terms of your own story, and not the one handed to you? What desires might you inhabit if you were free to own those desires?

These are the questions that animate Say This: Two Novellas, due out in Spring 2022.

Here’s a little more about how the book goes, which also asks, What do we owe each other?

A celebrity journalist hopes Eva will tell him everything about the sexual affair she had as a teen with her older cousin, a man now in federal prison for murder. Thirteen years earlier, Lenore-May answers the phone to the nightmare news that her stepson’s body has been found near Mount Hood, and homicide is suspected.

I think of the book as a set of portraits that speak to one another. There’s the portrait of Eva’s unsettling ambivalence towards her confusing relationship. And the portrait of her cousin’s victim through a collage of the perspectives of the slain man’s family—and a portrait as well of their various lives, filtered through the lens of grief and joy and love.

Writing a book is like taking a sustained flying leap. You get an idea, a sense of character, circumstance. So many questions. The obsessive desire to follow where they lead. And off you go, hoping for the best. Hoping in the end that you’ve sufficiently looked your characters’ complexities in the face to accord them the freedom to rise and meet their self-determined fates.

Now that Say This is close to landing—in book form, that is—I’m kiting similar questions about desire and identity in new work I hope takes off and catches the light and reflects new angles.

It’s early stages, but here’s what’s on my mind.

GIANT: Stories. Nine stories, in fact. About ambition, will, self-creation—and their discontents. Stories about brazenly going off the rails. Stories that might go off the rails. That might have a blast.

You can find the first story, “Arnhem”, in Best Canadian Stories 2021. Maybe you’ll look it up?

Elise

 

Get your copy of Blue Field here!

Pre-order Say This here!

And why not check out Elise Levine’s other fantastic titles here?

Biblioasis 2017 Media Year in Review

2017 was a big year for us here at the Bibliomanse!  We released a ton of great new titles, two new Bibliofolk arrived as Casey Plett and Jonny Flieger joined the team, Biblioasis books made it onto some very prestigious awards lists, and we had a lot of great coverage in the media. Here are just a few highlights of some of the spectacular reviews and coverage our books received this past year:

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Alejandro Saravia’s Red, Yellow, Green had a great review in Montreal Review of Books“a labyrinthine narrative that lodges like shrapnel—bracing and painful…playfully absurdist, funny, brilliant, and courageous… Saravia’s accomplishment in Red, Yellow, Green is to make you care, and deeply”
Montreal Review of Books: History vs. Oblivion

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Kevin Hardcastle and John Irving spent some time “Bro-ing down” at the International Festival of Authors together. Kevin’s new novel In the Cage has been collecting heaps of praise from places such as Globe & Mail, Toronto Star, Maclean’s, National Post, and Foreword Reviews.
In Conversation: Kevin Hardcastle & John Irving
Maclean’s: Five Must Read Books for October
Toronto Star: Twenty-Five must-read books this fall
National Post: Book Review

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The Vancouver Sun recognized their Vancouver daughter, Cynthia Flood, and her new short story collection What Can You Do, saying it  “…makes for page-turning reading…Flood’s writing is sparse and direct, and tackles the challenging topics unfolding in her stories with welcome clarity.”

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Quill & Quire wrote that David Huebert’s Peninsula Sinking “…establishes Huebert as one of Canada’s most impressive young writers … the stories are far-reaching, but tightly woven, each focused on characters in significant moments of development or change.”
Quill & Quire Review

 

 

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The late Norman Levine’s collected short stories, I Don’t Want to Know Anyone Too Well, took some people by surprise this year. André Forget wrote in The Walrus “If Levine lacks for a Canadian readership, it could be in part because there is no definitive, breakout collection of his stories…that might change with I Don’t Want to Know Anyone Too Well. If great writing has a mark, surely this is it.”
Ian McGillis raised the stakes even higher for Levine, writing in The Montreal Gazette that Levine’s short stories should be compared to Gallant, Munro, and even Chekhov, believing “Norman Levine deserves it and his time has come.”
The Walrus: Will a Posthumous Story Collection Help Canada Forgive Norman Levine?
Montreal Gazette: Neglected story master Norman Levine gets his due in new collection

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 Robyn Sarah’s long-awaited selection of poems, Wherever We Mean to Be, was named one of CBC books’ “Canadian Poetry Collections to Watch For” and Anita Lahey wrote a beautiful profile on Sarah for The Walrus.
CBC: 16 Canadian poetry collections to watch for
The Walrus: Robyn Sarah’s Exquisitely Untrendy Poetry

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The Toronto Star wrote of Molly Peacock’s The Analyst, that “The poems bear witness to loss and change in the lives of two women, but they also offer a remarkable account of the restorative power of creativity… [Peacock’s] poetry’s orderly grace can seem paradoxical when she’s describing intense, chaotic emotions. But that lyrical craft is exactly what makes these poems resonate.”
Toronto Star: Poetry transforms Molly Peacock’s relationship with her analyst

 

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Even celebrities couldn’t keep their hands off of Biblioasis books this year!  Sarah Jessica Parker of Sex in the City fame raved about Carys Davies, saying  “Oh my God! Oh my God! It was so great! The Redemption of Galen Pike. A collection of short stories. I never read short stories. This book is so wonderful. One of the clerks at Three Lives Bookstore convinced me to get that book. It’s fantastic!”
Sarah Jessica Parker & The Redemption of Galen Pike
The Redemption of Galen Pike was also an Indie Next pick and a Women’s National Book Association pick for their National Reading Group Month Great Group Reads 2017 List.
National Reading Group: Great Group Reads
Indiebound List

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The long-form review lives on over at Music and Literature. It’s a disservice to their careful and thoughtful review of Elise Levine’s Blue Field to excerpt such a short quote but needs must. Hannah Leclair writes “Reading the novel is a sensation akin to drifting weightlessly beneath the surface of the text…dazzling, textured, tightly woven.”
Music & Literature Review

The Winnipeg Review agreed, saying “Elise Levine’s new novel takes place in a state of not suspense, but suspension. It is set, tellingly, in the rough space between two deaths in the protagonist’s life—first Marilyn’s parents, back to back, then her best friend. The novel ceaselessly evokes the hanging feeling of being deep underwater: all is muted, slow, and yet sensation is almost unbearably heightened … Levine is, undeniably, an outstanding wordsmith. Her writing style moves in multiple directions, making high stakes out of small movements while turning panic into poetry.”

Winnipeg Review

In The New York Times

The Newspaper of Record took notice of a number of Biblioasis books this year. The New York Times featured glowing reviews for Alison Moore’s The Lighthouse, Mark Kingwell’s Fail Betterand Jorge Carrion’s Bookshops.

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The Lighthouse—New York Times’ On the Road in Germany, Accompanied by Troubling Memories
Fail Better—New York Times’ Now Batting: 14 New Baseball Books
Fail Better—New York Times’  How to Throw a Baseball
Bookshops—New York Times’ A Love Affair With Bookstores

 

 

 

 

 

 

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 Biblioasis’ Awards

 

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Author, editor, and Bibliofriend John Metcalf won an Ottawa Book Award for his collection The Museum at the End of the World. Metcalf also edited Biblioasis’ successful relaunch of Best Canadian Stories (Biblioasis authors David Huebert, Paige Cooper, Cynthia Flood, K.D. Miller & Grant Buday are among those included in the anthology!).
2017 Ottawa Book Awards

 

Patricia Young was a finalist for the Victoria Butler Book Prize for her collection of poems Short Takes on the Apocalypse.
Victoria Butler Book Prize

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Boundary, written by Andrée A. Michaud and translated from the French by Donald Winkler, was named to the 2017 Scotiabank Giller Prize longlist. World Literature Today says Boundary is “a haunting novel, rich with the details of the families’ daily lives and brilliant internal monologue, but the translation doesn’t draw attention to itself, a common flaw in translators too conscious of the masterful prose they are rendering. This is particularly appropriate here as Michaud’s remarkable writing seems entirely relaxed, belying what can only be very meticulously composed. Boundary has been recognized by a number of prizes in Canada, including the author’s second Governor General’s Award for Fiction. She deserves to be better known as one of the best writers in North America.”

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Scotia Bank Giller Prize: 2017 Long List Announced
World Literature Today: Book Review

And last but not least, Elaine Dewar was a Governor General’s Literary Award Finalist for her controversial book The Handover: How Bigwigs and Bureaucrats Transferred Canada’s Best Publisher and the Best Part of Our Literary Heritage to a Foreign Multinational. The book is all about the shady backroom deals that went on in order to package McClelland & Stewart off to international megapublisher Random House, robbing Canadians of one of the most definitively Canadian presses in the name of bigger profits and global monopolization.
Read the Maclean’s article on the deal and Dewar’s book here!

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Phew. All that and we’ve barely skimmed the surface. There’s so much more to discover–all of our authors have been killing it and there’s so much great coverage and great responses to their amazing work out there.  Come down to the shop or stumble around the website here and find out more.  Congratulations to all our amazing Biblioasis authors and thank you so much to all our readers!  See you in the New Year!