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The Bibliophile: The Biblioasis Holiday Book Guide (Part II)

Recommendations from the Biblioasis crew!

We’re back with the second part of our Biblioasis staff picks, and I’m certain it will come as no surprise to anyone that we’ve decided to make this a three-part series.

There are just too many good books to share!

Please enjoy a few more of our favourites from 2025 that we think you should check out—and maybe you’ll find that perfect book gift in time for the holidays. Next week, look forward to our final recommendations, and a word from our publisher Dan Wells.

Ashley
Editorial Assistant


Hilary Ilkay

Sales Coordinator

Self Care by Russell Smith, designed by Kate Sinclair.

Self Care by Russell Smith

By far the spiciest book I read this year, Russell Smith’s first novel in a decade is a propulsive, disquieting portrait of a young generation unable to make genuine connections and live authentically. Set in Toronto, Self Care stages an unlikely encounter between a burnt out, ennui-suffering freelancer named Gloria and a self-deprecating incel named Daryn. Through their increasingly troubling relationship, Smith explores power and sex and the harm posed by online communities and discourses. You will not be ready for the ending, which will get under your skin for days afterward.


Dominique Béchard

Publicity & Marketing Coordinator

L: UNMET by stephanie roberts, designed by Ingrid Paulson. Centre: Near Distance by Hanna Stoltenberg (trans. Wendy Gabrielsen), designed by Natalie Olsen. R: Baldwin, Styron, and Me by Mélikah Abdelmoumen (trans. Catherine Khordoc), designed by Ingrid Paulson.

UNMET by stephanie roberts

UNMET is an incredible poetry collection that doesn’t compare to anything else I’ve read. roberts employs an impressive range of registers—slipping from earnestness, to irony, to playfulness, to anger . . . But always, it strikes me, in service of the unexpected. The surprising leaps of diction and syntax make me feel like I’m leaning precariously over the known world into the open-hearted absurd. And I feel like an improved, more malleable human coming out of these poems.

Baldwin, Styron, and Me by Mélikah Abdelmoumen, translated by Catherine Khordoc

In 1961, James Baldwin spent several months as a guest in William Styron’s home. During this time, Baldwin encouraged Styron to write The Confessions of Nat Turner from the perspective of the slave; it would go on to win a Pulitzer, but also elicit controversy from the African-American community. Abdelmoumen doesn’t take sides, but rather creates space for dialogue about race and cultural appropriation that avoids binary thinking. This book champions a definition of identity that is “in a constant state of flux,” that depends first and foremost on listening to others—what she calls “the beauty of cross-pollination.” I’m not someone who is prone to optimism, but the hope at the heart of Abdelmoumen’s book softened last winter’s sharp edges. It would make a great new year read for anyone who wants to shake the bleak, the rigid, the alone.

Near Distance by Hanna Stoltenberg, translated by Wendy H. Gabrielsen

I read an ARC of Near Distance almost two years ago, before knowing I’d soon be working at the press. Though under a hundred pages, the tense, encroaching malaise of Stoltenberg’s debut novel has stayed with me. Near Distance portrays the tenuous relationship between a mother, Karin, and her adult daughter, Helene. Stoltenberg told me that Karin was based on the fathers she knew growing up: casually uninvolved, inclined to focus on themselves, emotionally distant. For such a short book, the character of Karin is so complex and strikingly herself; I still think of her frequently.


Ahmed Abdalla

Publicist

L: Benbecula by Graeme Macrae Burnet, designed by Kate Sinclair. R: Heaven and Hell and The Sorrow of Angels by Jón Kalman Stefánsson (trans. Philip Roughton), designed by Natalie Olsen.

Benbecula by Graeme Macrae Burnet

I’ve talked quite a bit about my love for Benbecula in a Substack post from last month, but the first time I read Benbecula, I read it in one sitting, and then I read it again. It’s a first person account of a murder and its aftermath in a small community. An incredibly engrossing read that I found difficult to put down. Sometimes if I walk past the copy in my apartment, I’ll pick it up and reread certain sections. I don’t know what it says about me that enjoyed this story of madness so much, but here we are. This story of real life triple murder on a remote Scottish island in the 19th century becomes a Jekyll and Hyde–like tale about madness and the slippery nature of identity. It’s a novel approach to true crime, darkly funny at times, about a man, living alone, haunted by memories and voices, slowly sinking into madness. The nonfiction afterword where Burnet describes the real life case and his research was also a delight to read.

Heaven and Hell & The Sorrow of Angels by Jón Kalman Stefánsson, translated by Philip Roughton

The first two books in Jón Kalman Stefánsson’s Trilogy About the Boy (look out for the third one, The Heart of Man, that’s set to be released June 2026) harkens back to the old Icelandic sagas. It’s the story of an unnamed boy in a remote Icelandic fishing village who loves nothing more than poetry and reading. In the first book, Heaven and Hell, his only friend dies, and he begins a journey that takes him out of the lonely fishing village and into a new community where he finds friendship and hope. The Sorrow of Angels has him embark on a new quest, with an alcoholic, melancholic mailman, across a brutal winter in order to deliver some important mail. It’s the stuff of epic: of men in search of themselves, battling against nature and despair. The whole trilogy is really a testament to the power of literature and the communities found around it. Stefánsson’s voice is absorbing and immersive throughout, and Philip Roughton has done an amazing job translating it into English. I think he’s so unlike any writer I’ve read recently, and to me that is among the highest of compliments. He’s an original, crafting these intense and lovely lyrical, small-scale epics, with wonderfully written character studies. Read him for all the beautiful ways he describes walking through snow.


Ashley Van Elswyk

Editorial Assistant

On Book Banning by Ira Wells, designed by Ingrid Paulson.

On Book Banning by Ira Wells

In this slim Field Note, Ira Wells offers surprisingly rich historical and contemporary context alongside personal experience to a topic that can sometimes seem like a vast, irremovable threat. Before reading Wells’s book, when I thought of book bannings I thought of the United States, or Alberta. The censoring of queer and diverse titles and authors, of older books, or of uncomfortable topics, wasn’t something that happened in places as close to home as the libraries and schools of Southwestern Ontario. But On Book Banning made me think more about what’s happening to our crucial centres of learning, and helped expand my knowledge of what book banning is, what constitutes it, and where we can take action to better prevent it. Here, Wells offers a passionate defense of our right to read, and we should all take that defense to heart before we lose these beautiful sources of knowledge and wonder.


In good publicity news:

The Bibliophile: The Biblioasis Holiday Book Guide (Part I)

Recommendations from the Biblioasis crew!

As we come to the end of another busy year, we’re taking a look back at the incredible books we’ve published throughout 2025. Some were anticipated, others were unexpected but welcome drop-ins. There were debuts and long-awaited returns; authors from Canada, Ireland, Iceland, and beyond; and a rich berth of fiction, nonfiction, and poetry.

There’s been so much to read, in fact, that we’ve decided to split our staff recommendations across two weeks! So please enjoy this first half of our Biblioasis Holiday Book Guide, and keep an eye out for more great works next Friday. We hope you’ll find something new here for your holiday TBR.

Ashley Van Elswyk
Editorial Assistant


Hilary Ilkay

Sales Coordinator

L: Voices of Resistance by Batool Abu Akleen et. al., designed by Ingrid Paulson. R: Let Me Go Mad in My Own Way by Elaine Feeney, designed by Kate Sinclair.

Let Me Go Mad in My Own Way by Elaine Feeney

Elaine Feeney hooked me from the title, which is taken from Anne Carson’s translation of Sophocles’s tragedy Electra, and she didn’t disappoint. This is a novel of immense depth and substance, interweaving the present grief and past trauma of a family with western Ireland’s violent history. Let Me Go Mad in My Own Way explores the difficulty of homecoming, the relationship between domesticity and femininity, the vicissitudes of love, and losing oneself in order to discover oneself anew. Expect lyrical, dazzling prose with incisive dialogue and a wry sense of humour.

Voices of Resistance: Diaries of Genocide by Batool Abu Akleen, Sondos Sabra, Nahil Mohana, and Ala’a Obaid

In the welcome proliferation of voices from Palestine receiving publication and translation, Voices of Resistance stands out as a deeply moving and powerful account of life in Gaza. Featuring the day-by-day diaries of four women—Batool Abu Akleen, Sondos Sabra, Nahil Mohana, and Ala’a Obaid—the book signifies a refusal to be silenced or erased and to let unfathomable loss and constant acts of violence give in to nihilism and despair. As the women suffer displacement and fear for their lives and those of their loved ones, they affirm community, solidarity, love, and hope for a different future. This is a must read.


Dominique Béchard

Publicity & Marketing Coordinator

L: Big of You by Eline Levine, designed by Ingrid Paulson. R: We’re Somewhere Else Now by Robyn Sarah, designed by Vanessa Stauffer.

We’re Somewhere Else Now: Poems 2016–2024 by Robyn Sarah

You can’t go wrong with a Robyn Sarah collection. These are plainspoken, thoughtful, gently philosophical poems. I’m left with a warm uncertainty after reading them: everything cast by doubt, yet in a way that feels vital and forgiving. Favourite poems are “In the Medical Building Lobby Café,” “An Abdication,” and the long, final poem “In the Wilderness,” which turns from the lyrical precision of her earlier poems, towards something opaque, shapeshifting, and uncontainable.

Big of You by Elise Levine

The sentences are just so incredible—the ways in which they twist around their speakers, revealing a suite of strange, charismatic, deeply unique characters. Elise Levine writes like nobody else, which sounds like a throwaway thing to say, but trying to come up with a comp (or even a blurb) for Levine feels like a disservice to the breadth of her writing. The story “Cooler” blew up any preconceptions I had about what a short story could do, and the last story, “Witch Well,” broke my heart. If you’re bored with the millions of formulaic books out there, this is the one to bring back that old, fundamental love of literature.


Ahmed Abdalla

Publicist

L: Old Romantics by Maggie Armstrong, designed by Fiachra McCarthy. R: The Passenger Seat by Vijay Khurana, designed by Zoe Norvell.

Old Romantics by Maggie Armstrong

Maggie Armstrong told me that an “old romantic” is a hapless fool who continually authors their own destruction by way of repeated mistakes and self delusion. They tend not to make good friends, but they are rich for fiction. Old Romantics is an arresting collection of linked short stories about one such hapless fool and about love’s beginnings and ends. The collection follows Margaret from young adulthood to middle age, depicting all the drama, heartache, and trivial misfortunes that come her way. These stories are delectable and addictive, with witty, sardonic lines and entertaining scenes, they made me laugh and cringe as I recognized in Margaret the fool I have sometimes been. It’s hard to talk about what makes something funny, but I hope you’ll trust me when I say Armstrong’s dark comedy is first-rate.“The Dublin Marriage” was a particular standout story for me and one I often go back to.

The Passenger Seat by Vijay Khurana

This was the first book I worked on when I started at Biblioasis, so I suspect it will always have some kind of hold on me personally. It’s a damn fine piece of writing that grabs you by the shoulders, shakes you, and engages in questions—about masculinity, violence, identity, loneliness—that we tend to shy away from. It’s about two young men on an aimless summer road trip and the murders they commit for reasons they can’t even explain. It covers uncomfortable ground and gives no easy answers, but reading Khurana is a pleasurable experience for his distinctive voice and how he renders the claustrophobia of being on the open road. Perhaps not the most festive of books, but it will linger in your mind for months, maybe years, maybe forever.


Ashley Van Elswyk

Editorial Assistant

L: Dark Like Under by Alice Chadwick, designed by Kate Sinclair. R: Christmas Ghost Stories 2025, selected & designed by Seth.

Seth’s Christmas Ghost Stories 2025

I’ve been banging the drum for years about how fun these spooky little books are, and I’m at it again today! This year’s trio presents such a great range of ghost stories, and while the melancholic but beautiful Lady Ferry looks to be a favourite among readers, and The Mistress in Black is a tragic but cathartic schoolhouse tale not to be ignored, I’d have to say my personal pick is Lucky’s Grove, which involves a classic demonic haunting and takes place over Christmas (gather ’round the blazing tree!). And of course, I can’t go without praising Seth—this series wouldn’t exist without his fine illustrations, striking covers, and eye for classic ghostly tales.

Dark Like Under by Alice Chadwick

We’ve published a number of stellar novels over 2025, but if I’m going to recommend one I was really drawn into, it’s Alice Chadwick’s debut Dark Like Under. In this circadian novel, Chadwick takes us through a single day following the students and staff of a rural English school in the 80s after the unexpected death of one of the teachers. The teens are restless, grappling with their own personal troubles and relationships with one another, and everyone is dealing with the sudden change in their lives. The characters of Tin and Robin are particularly fascinating to follow, complex but sympathetic. Chadwick’s voice is grounded and real, and there’s some truly beautiful writing in here as she deftly tackles grief, hope, and the hard path to moving forward.


In good publicity news:

Celebrate Mother’s Day with Biblioasis!

Mother’s Day is fast approaching! We have some great gift ideas for your mom or any mother figures in your life.

For the mom who keeps up with the bestsellers: A Ghost in the Throat

“A powerful, bewitching blend of memoir and literary investigation … Ní Ghríofa is deeply attuned to the gaps, silences and mysteries in women’s lives, and the book reveals, perhaps above all else, how we absorb what we love—a child, a lover, a poem—and how it changes us from the inside out.”—Nina Maclaughlin, New York Times

For the mom who wants a challenge: Ducks, Newburyport

“Lucy Ellmann has written a genre-defying novel, a torrent on modern life, as well as a hymn to loss and grief. Her creativity and sheer obduracy make demands on the reader. But Ellmann’s daring is exhilarating—as are the wit, humanity and survival of her unforgettable narrator.”—2019 Booker Prize Jury Citation

For the mom who attends open mic night: Hail, the Invisible Watchman

“Alexandra Oliver, Canada’s sublime formal poet, grabs centuries-old traditions by the throat and gives them a huge contemporary shaking in Hail, the Invisible Watchman. Terrifyingly clever, dazzlingly skilled, and chillingly accurate in her social observations, she plunges from lyric to narrative and back again in this, her third volume, where a housewife has ‘a waist like a keyhole’ and a ‘good mood’ has a ‘scent’ … With Hail, the Invisible Watchman Oliver again alters the landscape of Canadian poetry.” —Molly Peacock, author of The Analyst

For the mom who loves historical fiction: The Barrøy Chronicles

“A profound interrogation of freedom and fate, as well as a fascinating portrait of a vanished time, written in prose as clear and washed clean as the world after a storm.”The Guardian

For the mom who is everyone’s best friend: The Last Goldfish

“Lahey is a writer of extraordinary gifts, evoking the world of two raucous schoolgirls growing up in the 1980s in astonishing, at times laugh-out-loud funny, detail … Lou couldn’t have asked for a more stalwart, loyal friend than Anita Lahey; we couldn’t ask for a more acutely observant and empathetic writer.”—Moira Farr, author of After Daniel: A Suicide Survivor’s Tale

For the mom who wants to be surprised: Biblioasis Mystery Box

Each box is unique and carefully curated. Tell us some of your favourite books or genres in the notes box, so we can pick books specially for you, or leave it blank for a complete surprise!

Happy Mother’s Day from all of us at Biblioasis!