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The Bibliophile: There and Back Again

A week at Winter Institute, and reconnecting with booksellers across the border.

I realize that the Bibliophile has been pretty quiet so far in 2026, which is all the evidence you need for how busy things have been at the Bibliomanse proper, and no week illustrates this as much as this last one.

Our intrepid sales coordinator Hilary, decked in Backlist to the Future swag, manning the Biblioasis booth at Winter Institute.

Saturday I worked with Jeff, our operations coordinator, from 7 am till past 9 at night to re-ready everything for the American Bookseller Association’s Winter Institute in Pittsburgh after UPS, who promised a 2-3 day delivery (Pittsburgh is only 4.5 hours from Windsor, about an hour closer to us than Toronto), failed to get our books to the city on time. The boxes took 13 days before they finally arrived mid-fair, looking like they’d barely escaped a war zone. Winter Institute is one of our biggest investments in American bookseller relations every year, the place where we launch several forthcoming books: to be there without any stock would have been a disaster (which was the word I used with UPS when I tried, with increasing frustration, to illustrate the D in our tracking code—D is for Disaster—to the displeasure of our off-shore quote-unquote customer service clerk). I cancelled my flight and left Sunday in my son’s CRV between the second and third period of the Men’s Gold Medal hockey game, worried that the border guards might not let me cross: the border has become increasingly erratic over the last six months and crossing with commercial goods is dependent very much on the agent one gets. Mine thankfully was quite decent, happy my paperwork was in order so that he could get back to watching the game. I wondered if my experience would have been different had I left after the game had finished.

Our books arrive midway through the 2nd day of the 3-day fair. General cheering ensues.

The days since have run between 16-20 hours as I tried to manage the day-to-day, alongside promoting our books and authors as part of Meet the Presses, a three day book fair in which we met hundreds of booksellers across the US, refining our pitches in real time and pressing books into eager hands (and transforming skeptical booksellers, hopefully, into superfans).

Prepping the merch in the hotel room.

It’s both exhausting and exhilarating. But to see the genuine excitement that readers feel for forthcoming books like Richard Kelly Kemick’s Decadence, Ivana Sajko’s Every Time We Say Goodbye, Don Gillmor’s Cherry Beach, Melissa Harrison’s The Given World, and Jón Kalman Stefánsson’s The Heart of Man, the concluding volume in his Trilogy About the Boy, among many other titles, recharges the spiritual batteries, as does the general awareness among American independent booksellers for Biblioasis and our titles.

When we started going to this years ago, booksellers knew nothing about us; now, many search us out specifically. We hosted, alongside our bookselling and publishing compatriot Drawn & Quarterly, a wonderful Duck-pin bowling party on Monday; a dinner with booksellers both familiar and new on Tuesday; then joined our American compatriots Seven Stories and Two Dollar Radio in another dinner on Wednesday before heading to another party that evening where I joined Peggy Burns of Drawn & Quarterly in pouring Fireball Whiskey into booksellers’ maws (and down their chins) through an intricate ice sculpture.

After a year hiatus, we unveiled the new edition of our improved bookseller trading cards, and, tired of the perpetual frontlist hustle, tried to engage booksellers (with some real success) in our Backlist to the Future campaign, more on which will follow.

A sampling of featured booksellers from the Indie Bookseller Trading Cards: Series #3. Pictured here: Brad Johnson (East Bay), Pete Mulvihill and Kevin Ryan (Green Apple), Annie Metcalf (Magers and Quinn), and Erin and Drew Pineda (27th Letter).

There were impromptu meetings with booksellers and our American distributors, with American media, other Canadian and American publishers, and even with a couple of our favourite writers, including Daniel Mason and Douglas Stuart.

There were bookstore visits, and great conversations throughout all four days. As a bookseller I haven’t seen in years told me when we said goodbye, the last day felt like the end of summer camp, with repeated hugs and tears as we packed our tents and readied to go home. But I was grateful for the time I got to spend among some of my favourite people in the world, and I look forward to the next time I get to do so.

I have so much more to unpack about the past week, things I wish I had the time to better explore, and hope to do so in a later Bibliophile. We need to talk about the total lack of Canadian booksellers at this event (D&Q and Biblioasis were the only two this year, and we were really there in a publishing capacity) and the dangers of letting what is going on alienate us from our American compatriots on the front line of the fight against fascism. Books are a battleground in both countries for very obvious reasons, and we’d be much better keeping the lines of communication open between our communities than cutting them off in a fit of nationalistic spite. When we allow the current American administration to separate us, we are giving them exactly what they want.

Marcello Di Cintio’s Precarious on display at White Whale.

I’d like to write about the essential connection events like Winter Institute make clear between independent publishers and booksellers, and how we could work better together for the betterment of both, and about the real hope and possibility that comes from talking with one another. I have so many ideas from conversations with Javier and Kristin Ramirez (Exile in Bookville), James Crossley (Leviathan), Kate Layte (Papercuts), Lori Feathers (Interabang), Carrie Koepke (Skylark), Sam and Emma Kaas (Norwich), Greg Kornbluh (Downbound), Miriam Chotiner-Gardiner (Three Lives), Bryan Seitz (Literati), and so many others. But that will have to keep. I think the only thing that kept me from driving off the highway on the return home was Barq’s root beer, chocolate, the Messthetics and the Ramones (Hey Hey Hey, why is it always this way just keeps cycling on my internal jukebox).

The author reception.

But before I go, two quick things for Bibliophile readers: our first book of 2026 officially launched this Tuesday. Mark Anthony Jarman’s Smash & Grab, a literal grab bag of fictions united solely by Jarman’s febrile imagination and wordplay, will be a treat for fans old and new. And our second, Ivana Sajko’s brilliant Every Time We Say Goodbye, launches next Tuesday: it’s already been assigned for a NYT review, and we’re expecting this to become one of the handsell titles of the year. So please head to your favourite independent wherever you are, and pick up a copy of each. I promise that neither will disappoint.

Dan Wells,
Publisher

(L) Smash & Grab by Mark Anthony Jarman. Cover designed by Kate Sinclair. (R) Every Time We Say Goodbye by Ivana Sajko, trans. by Mima Simic. Cover designed by Ingrid Paulson.

In excellent awards news:

As we were finishing up this week’s missive, we learned that Ira Wells, author of On Book Banning: Or, How the New Censorship Consensus Trivializes Art and Undermines Democracy, has won the 2026 Freedom to Read Award from the Writers Union of Canada!

The award is presented annually by TWUC in recognition of work that is passionately supportive of access to books and the freedom to read. Wells was nominated for the Freedom to Read Award by a fellow Canadian author, and the nomination reads (in part):

Author Ira Wells, born in Alberta, is well-known for his long-held stance against censorship. This is witnessed by his record of publications, which often touch on the subject of societal thought control. His most recent book, On Book Banning is an extended exploration of the ways libraries have been ransacked, often under the guise of “protecting children.”

Congratulations to Ira!

The Bibliophile: Playing God

A brief detour for some holiday fun at the press!

This week’s anticipated holiday post has been interrupted to hand-bind copies of Richard Kelly Kemick’s madcap tale of SCD (Seasonal Compulsive Disorder), “Playing God.”

We will resume our regular programming next week.

—The Biblioasis Crew


Photo: Prepping labels for the front cover of the chapbook edition of “Playing God” by Richard Kelly Kemick.
Photo: Chapbooks waiting to be sewn together.
Photo: Jeff and Ashley hard at work sewing and cutting labels.
Photo: It’s all coming together . . .
Photo: Publisher Dan Wells even emerged from the editorial pit to trim chapbooks!

In good publicity news:

  • Passenger Seat by Vijay Khurana appeared on the New York Times list of the staff’s “Favorite Hidden Gem Books of 2025,” recommended by Greg Cowles: “This taut, terrific novel—Khurana’s debut—ratchets up the tension in a classic formula . . . I’ve been recommending it for months to anybody who likes Richard Ford and Andre Dubus III.
  • Marcello Di Cintio, author of Precarious: The Lives of Migrant Workers, was interviewed for CBC Ideas in the episode “Your tomatoes have a backstory and it’s not always pretty.” Precarious also made the Hill Times’s list of “Top 100 Best Books in 2025.”
  • Baldwin, Styron, and Me by Mélikah Abdelmoumen (trans. Catherine Khordoc) was listed in BOMB Magazine’s 2025 Small Press Gift Guide: “For the person who treats literary friendships like high-stakes contact sports.” The book was also picked by critic Steven W. Beattie for Quill & Quire’s “Notable Books of 2025”: “Part memoir, part literary criticism, part admiring portrait of Baldwin, one of the author’s heroes, Abdelmoumen’s book resonates clearly with our own contentious moment.
  • Seth’s 2025 Christmas Ghost Stories were featured in the Chicago Tribune’s holiday book guide: “An addicting revival of the Victorian-born tradition of reading scary stories at holidays.” The stories also got a shout-out from longtime fan Patton Oswalt on social media!
  • Every Time We Say Goodbye by Ivana Sajko (trans. Mima Simić) was reviewed in the Irish Times: “Sajko vividly captures the way in which travel suspends both time and place in scenes that are at once real and dreamlike . . . Every Time We Say Goodbye is a threnody to leave-taking—elegant, mournful, and profoundly human.
  • Benbecula by Graeme Macrae Burnet was listed in the Washington Post’s list of “11 new paperbacks to add to your shelf.”
  • Dust: More Lives of the Poets (with Guitars) by Ray Robertson got a video review from Shelf Life.
  • Voices of Resistance: Diaries of Genocide by Batool Abu Akleen, et. al., was included in The Tyee’s list of “2025 Holiday Reads.”
  • Ripper: The Making of Pierre Poilievre by Mark Bourrie was included in the Hill Times’s list of “Top 100 Best Books in 2025.”