Archive for year: 2026

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We took an extended break this year at the Bibliomanse, and my own was extended further still by five inches of snow in Paris and Amsterdam, even if a short purgatory in Dante’s city is nothing to kvetch about. Besides, it came with the added benefit of having a couple of drinks with the author of our first title of the season, Mark Anthony Jarman.

Still, I’m not sure I’ve ever been so happy to be back behind this desk and working on new books, while planning to help broaden the spotlight to include some of our previously published ones as well. (Backlist is Bullshit.) This is only my third full day in office this year (if you don’t count my cramped work at 35,000 feet over the Atlantic) and I’m grateful for many things as we begin 2026, including the great people I get to work with during the creation of these many books, and their enthusiasm and willingness to try new things as we continue to figure out how to make this most difficult of professions make sense, while having a little fun along the way.

Rather than overwhelming you with the complete list of everything we have coming over the first half of this year, or even during the Winter Season, we thought we’d share the first three titles we’re publishing in 2026, breaking this preview up over a few posts over the coming weeks.

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Smash & Grab

by Mark Anthony Jarman

A mischievous medley of stories that blur the lines between the real and the imagined.

Smash & Grab brings together fourteen new stories . . . or performances . . . or pieces by one of the most inventive prose stylists at work today, blurring the line between the real and the imagined. His first new collection of short fiction in more than a decade—and first since we collected the best of his previous work in Burn Man: Selected Stories, a book that saw rave reviews from the New York Times, Wall Street Journal, Kirkus, Globe and Mail, and elsewhere—these are stories that work their own musical magic distinct from that of any other writer today, stories shaped like strange loops, which gather in the reader’s mind as a collage might, layering word and image.

His language, as Jarman himself said of one of his literary idols Barry Hannah, is “a weird mixture of Elizabethan and cracker”; his world, whether it is set in Venice or the deep south or on the bloody moon, is violent and bizarre and always slant. Reading an excellent Jarman story—and this book has several of them—will leave you slightly off-kilter. It doesn’t matter what they’re about—the summary of some of them have the feel of a barroom joke: ie, a former military policeman, a veterinarian, and a French poet walk into a bar and debate the Vietnam War—it’s the experience of them that counts. So go ahead . . . experience them. Smash & Grab is already finding its way into bookstores, though it only officially launches five weeks from now.

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Every Time We Say Goodbye

by Ivana Sajko, translated from the Croatian by Mima Simić

An extended soliloquy of self-examination, upheaval, loss, hope, disillusionment, ambition, and failure; and a profoundly stark and furious novel.

We discovered Ivana Sajko when her first book in translation, Love Novel, made the Dublin Literary Award shortlist a few years ago. Three of us read it here in as many days, more or less each in a sitting, and each of us were blown away, in the fantastic translation by Mima Simić, by its energy and humour, its compassion and rage. We went on to publish it in February 2024 as our own anti-Valentine to the literary world.

Reading Sajko is intense and claustrophobic, pleasurable and energizing. A longtime playwright and theatre director, her work often takes the form of a dramatic monologue, which is the case in her next novel, Every Time We Say Goodbye, which we will be publishing in March. A man on a train, propelled from his small town on the eastern edge of Europe to Berlin by a pattern of violence from which he is trying to flee, meditates feverishly on everything that has brought him to this point, moving further and further away from the only person he’s ever loved.

Reading Sajko is not for the faint of heart: Every Time We Say Goodbye is a bruising book, a book relevant to this moment and time, but also one that is deeply personal, since all failings begin as such. Yet despite this, there is hope here, as the narrator moves fatefully on towards his final destination, and this feeling has lingered with me in my memory as much as the bleakness and blackness her narrator refuses to look away from. There are very few writers to whom we are as committed as Sajko. Read this book, and Love Novel, and everything that follows: she is one of the very best writers working in any language.

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On Sports

by David Macfarlane

In On Sports, journalist David Macfarlane considers the origins of his love of sport against his discomfort with their commodification.

On Sports, the latest volume in our Field Notes series, reads like a conversation between friends at the ballpark in those golden days before the kiss cam and college co-eds with T-shirt cannons spoiled the fun; a book that feels of the sun on your forehead and the breeze in your hair, beer and laughter on your lips; a book that celebrates communion and friendship and the beauty of these games—whether it be baseball or football or soccer or tennis or cricket—that we’ve designed to distract ourselves from the end of the world. It is a book about what 7Up tastes like when drunk from the Grey Cup, which, true story, a young Macfarlane once found in the china cabinet at a childhood friend’s house, and into which they poured their favourite soft drink, raising it to their lips like their heroes, detecting notes on the palate of lime, dust, and Silvo. It’s about everyday heroism and the near impossibility of language to properly capture athletic excellence. It’s about the beauty of excellent sports copy; the ephemerality of even the biggest sports story; how it remains perpetually powered by the eleven-year-old still residing in all of us. It’s a book about rediscovering the spirit of sport before online gambling and the manufactured spectacle that most professional sports have become suffocates the last of it.

I came to sports late as a kid, but became one of the most fanatical of sports fans, especially for baseball: I could probably still quote Rick Monday’s and Fergie Jenkins’ and Mike Schmidt’s 1983 baseball stats from the back of their OpeeChee cards. But over the years I’ve become increasingly ambivalent about sports. Macfarlane shares and acknowledges this ambivalence, but also reminds us of their beauty and humanity. Less an argument than a gentle, generous meander, On Sports has helped once again make me a sports fan, and I think it could appeal broadly to anyone who feels wonder about what feats humans can perform with their bodies, or, otherwise, almost all of us.

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In good publicity news:

• Cherry Beach by Don Gillmor was featured in the Quill & Quire’s 2026 Spring Preview, and the Winnipeg Free Press’s list of upcoming 2026 books.
• Oblivious by Elaine Dewar was also listed in the Winnipeg Free Press’s 2026 books list.
• Every Time We Say Goodbye by Ivana Sajko (trans. Mima Simić) was reviewed in Publishers Weekly: “Sajko’s blackhearted modernist novel is worth a look.”
• Precarious: The Lives of Migrant Workers by Marcello Di Cintio was reviewed by Anne Logan on I’ve Read This: “Unflinchingly presents an inequitable Canadian system that contradicts what we consider Canadian values of kindness and acceptance.”
• Ripper: The Making of Pierre Poilievre by Mark Bourrie was reviewed in Alberta Views: “Read this book for Bourrie’s wrathful takedown of the egotism, infighting, backbiting and corruption that threaten Canadian democracy.”
• Baldwin, Styron, and Me by Mélikah Abdelmoumen (trans. Catherine Khordoc), We’re Somewhere Else Now by Robyn Sarah, and On Book Banning by Ira Wells all made The New Quarterly’s Favourite Books of 2025 list.